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The Spinner

The Spinner

1989 · 2 min · Animation, Music

A miniature film set to classical music. A cart drives down a gray city street. Behind the houses, instead of the sun, a spinning wheel emerges, from which a broken thread falls into a nearby puddle. A little girl runs down the street. Suddenly, she stumbles and falls into the puddle. Tears from the animated houses fall into the puddle. The drops of tears "revive" the thread, which transforms into a fairy-tale skein and weaves a new dress for the girl. A spinner with a spinning wheel appears and weaves colorful strands around everything. Flowers bloom in the windows of the houses, and the gray walls are covered with vivid colors. The girl, carried by the skein, soars above the houses of what is now a colorful town.

Directed by Aleksandra Korejwo · Written by Aleksandra Korejwo

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A film miniature set to classical music, inspired by Georges Bizet's "Carmen" suite, orchestrated by Rodion Shchedrin, animated in loose matter (colored salt) directly under the camera by Aleksandra Korejwo. The music is fully synchronized with the image. The sounds of the music awaken Carmen from her sleep. Her silhouette is illuminated by a nearby bonfire. In this expressive dance, elements of Andalusian gypsy folklore (flamenco) choreographically intertwine with the passionate symbolism of Carmen's gestures. It's the second film in a trilogy.
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Convention on the Rights of the Child, Article 16Convention on the Rights of the Child, Article 16 · 1997
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The SwanThe Swan · 1990
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A film miniature set to classical music by Camille Saint-Saëns, animated in loose matter with colored salt directly under the camera by Aleksandra Korejwo. From the undefined matter, the figure of a dancing girl emerges, soon transforming into a swan. From the rippling water, the swan takes flight, then seamlessly transforms back into a girl. The girl's dance and the bird's flight intertwine. The girl is enchanted into a swan, the swan enchanted into a girl. Their shapes merge, creating a unity.
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Short film animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Produced by Acme Filmworks Hollywood for Riverwind Casino.
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A trio of short films commissioned to be shown to visitors entering the National Freedom Center in Cincinnati Ohio. Freedom and Unfreedom by Aleksandra Korejwo uses sand animation. Slavery by Caroline Leaf shows the hardship of the life of a house slave in the American South before the Civil War, telling the events in one day in her life. The Underground Railroad by Luc Perez is the final film in the trilogy.
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Amazing and iridiscent film animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Produced by Acme Filmworks Hollywood for United Airlines, Locomotion Channel.
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Animation in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Nomination for "Best of the World", International Animation Festival, Hiroshima, Japan, 2010.

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