Song of Love

A short documentary about the 4th Shiraz Arts Festival and its series of performances that took place in September 1970.

A downbeat story of life inside a women's prison. There is more crime inside than out. When the inmates see that a woman is soon to be admitted for killing a young boy, they begin to plan her murder.

A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.

Fragments of a text by Jean Genet – “Four Hours in Chatila” – are illustrated by summer images of a park in Brussels. The contrast between what is seen and what is said attempts to stop, to break the flow of information which tends to neutralize horror.

Three young women at home, the eye of the camera doesn't leave them for a moment and shows them first in a narrow kitchen, then in a small bathroom in front of a mirror, then in a bare living room where they spend part of the evening. The three are the mistress of the house and her servants, and the film is based on Les Bonnes by Genet. The servants pretend to unite to varying degrees against their mistress, and she, in turn, pretends to be a mistress who doesn't give explicit orders but who makes herself admired anyway. Each one of them plays the part that is most congenial to her.

A documentary about the French writer Jean Genet and his relations with the Palestinian revolution. One day after the September 1982 massacre at the refugee camp of Shatila in Beirut, Genet visits the camp. Suffering from throat cancer and having written nothing in years, Genet begins to write on the threshold of his death about this disturbing new experience. It leads to his last book, entitled “Un captif amoureux” in which Genet reflects on the Palestinian revolution, its defeat, and the loss of one’s homeland. In this film a young French woman of Algerian origin who is reading the book returns to the landscapes of the Palestinian resistance and the refugee camps full of exiles, in search of Genet.

French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice with Nono, Lysiane's husband: if you win, you are allowed to make love with Lysiane; if you lose, you have to make love with Nono... Querelle loses on purpose.

A film version of Genet's play. Two maids, Solange and Claire, hate their employers and, while they are out, take turns at dressing up as Madame and insulting her.

The Madam of a brothel satisfies the erotic fantasies of her customers, while a revolution is sweeping the nation.

A wrong turn on a jazz singer's road trip results in her car breaking down near an isolated lodge run by a faded starlet and a cocksure, volatile country singer.

Based on a play by Jean Genet, a small-time thief battles with his gay cellmate over a third illiterate, muscular convict.

Non-professional players try to create the poetic world of Jean Genet in filmic terms.

It's a staging of The Maids, which, set in the 1930s, tells the story of two sisters working in the house of an abusive woman. Genet's film begins with a ritual: the lighting of candles. It's a black and white film with complex lighting design.

In the 1930s, within a prison cell somewhere in Europe, young inmate P. spends his days reading about murderers in newspapers while eagerly awaiting the night. When night falls, a magical transformation occurs, setting the stage for a unique exploration of love, queerness, obsession, and unexpected sources of strength.