Remembering Maria Chapdelaine

Reflections on writing, life and death with French Canadian poet Marie Uguay, who would die of bone cancer shortly after the making of this film.

A meditation on society's attitudes and beliefs, as explored through a New France fur trapper's relationship with a Native woman that spans centuries.

On your marks. Follow cyclists from 13 countries as they cover 2.400 km of Gaspé countryside in 12 days-a course longer than those of Italy, Belgium or Spain. The long shots of curving landscape and open road are set to a mesmerizing soundtrack in this documentary, and the results are spellbinding.

Heritage Minutes, also known officially as Historica Minutes: History by the Minute, are a series of sixty-second short films, each illustrating an important moment in Canadian history. They appear frequently on Canadian television and in cinemas before movies and are now also sold on DVD. The Minutes were first introduced on March 31, 1991 as part of a one-off heavily-promoted history quiz show hosted by Rex Murphy. The thirteen original short films were broken up and run between shows on CBC Television and CTV Network. The continued broadcast of the Minutes and the production of new ones was pioneered by Charles Bronfman's CRB Foundation, Canada Post Power Broadcasting, and the National Film Board. They were devised, developed and largely narrated by noted Canadian broadcaster Patrick Watson, while the producer of the series was Robert Guy Scully. In 2009 Historica merged with The Dominion Institute to become The Historica-Dominion Institute. While the foundations have not paid networks to air Minutes, they have made them freely available, and in the early years paid to have them run in cinemas across the country. The Canadian Radio-television and Telecommunications Commission has ruled that Heritage Minutes are an "on-going dramatic series" thus each minute counts as ninety-seconds of a station's Canadian content requirements.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

A pimp and his seven working girls move to a small conservative mining town in northern Quebec to establish a brothel.

On the eve of her final moments, a woman recalls her alcoholic past. She revisits her entire youth, including a binge that, at 46, cost her everything she had: "Loneliness and aging are themes that impose themselves on me, in one form or another. As for alcoholism, it fascinates me because of the revolt it underpins, and revolts me because of the unhappiness it creates around itself.

In this French Canadian film, when the provincial government tries to move two young farmers from their land to make way for development, the two fight back, accidentally killing a policeman and becoming outlaws in the process.

Rejeanne and Gilles are a married couple whose devastating setbacks--she is laid off from her job and he suffers a debilitating stroke--only begin to fester in the face of corporate greed and personal struggles when they attempt to start over in a new neighborhood.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

A young singer-songwriter abandons his life in his hometown and moves to the city to make it big. He achieves fame, but it comes at a price.

Each married on their side, a teacher and a sociologist meet by chance in Quebec. Political and intellectual discussions followed a brief mad love.

Edited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.

When Remy, an ad consultant, falls in love with Sarah, the newest star of an ad campaign, sparks fly. The only problem is that they are both married. Sarah's husband knows she will eventually get tired of Remy while his wife just can't let go. At first she throws him out, begs him to come back, cheats on him, hates him, and finally slumps into the worse depression ever. It is amazing what love can do...