Take It All

Ian Tracey plays 11-year-old Peter, who is plagued by demons and sent to an institution for setting fires. Peter escapes and hops a freight train headed into northern B.C. He is befriended by a native shaman or "dreamspeaker" (George Clutesi). The shaman makes some strides but is unable to get to the root of Peter's problems. Peter is captured by the police and taken back to the institution where he slides down even further.

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

The story of the problems caused by what became known as the Conscripton Crisis in 1917 Canada, which threatened to divide the country.

Penned by Mordecai Richler and set in wartime Montreal, this touching telefilm stars Saul Rubinek as Mervyn Kaplansky, a young writer from Toronto who boards with a family on St. Urbain Street only to find his aspirations undermined by the colourful yet desperate characters that surround him. Rubinek delivers a very touching performance as the boyish idealistic writer, and he is backed by a strong supporting cast that includes Harvey Atkin, Janet Ward and Peter Boretski.

For the Record, an anthology of 60-to-90-minute dramas, started on the series, Performance, as a subseries called Camera ’76. A collection of docudrama-style short stories on diverse but socially relevant (and very Canadian) topics such as unemployment, euthanasia, spousal abuse, televangelists, aboriginal issues, and anglophone-francophone relations. This series attracted most of the 'big name' Canadian actors and directors of the time.

An experimental short film shot in slow motion and set to Ottokar Nováček's violin composition Perpetuum mobile, the film depicts a love triangle between two men and a woman.

Three troubled couples attend a two day marital retreat in hopes of saving their marriages. Unbeknownst to them, their psychiatrist is not who they think he is.

In the early 1940's, Canada is a country at war and Florentine is a young woman, from a very poor family, looking for love. She meets two suitable men, a nice soldier from a good and wealthy family, and an ambitious self-centered engineer. She must decide whether she wants to follow her head or her heart...

An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.

A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.

An efficiency expert is called in to downsize a trucking company and the employees fight to establish a union to save their jobs.

Dedicated “to all victims of intolerance,” "The Devil’s Toy" is a faux–public service documentary that chronicles the early days of skateboarding in Montreal. Framed as mock anti-skateboarding propaganda, Claude Jutra contrasts official hostility with the exhilaration and freedom experienced by youths racing downhill through city streets, shortly before the activity was banned.

A young singer-songwriter abandons his life in his hometown and moves to the city to make it big. He achieves fame, but it comes at a price.