Méditerranée
Nothing is certain … in this muted evolution.
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.
Directed by Jean-Daniel Pollet · Written by Philippe Sollers
Make it a double feature
53m together
Méditerranée
Bassae
Both from Jean-Daniel Pollet.
More from Jean-Daniel PolletSee all →
Three Days in Greece · 1991
Pour mémoire · 1978
Bassae · 1964
Dieu sait quoi · 1994
The Acrobat · 1976
Six in Paris · 1965
The Horla · 1966
Gala · 1961
Those Facing Us · 2001
The Others · 1975
Love Is Gay, Love Is Sad · 1971
Le Maître du temps · 1971
The Order · 1973
A Bullet Through the Heart · 1966
Strange Game · 1968
The Blood · 1971
