Otter

Vedran is a frustrated yet ambitious young writer, constantly struggling for attention and recognition. When he accidentally kills a drug dealer who has been terrorizing his neighborhood, he is hailed as a vigilante justice-seeker and becomes an overnight local celebrity - even though his true identity remains hidden. Realizing that it takes only one person to spark a revolution, he makes a choice that changes his life forever...

Two former lovers worlds collide during the tragic background of The Bosnian War.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.

10 minutes doesn't seem long to a Japanese tourist waiting for some photos in Rome, but a lot can happen in the same 10 minutes for a family in Sarajevo during the Bosnian War.

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

A man on the verge of existence decides to make a desperate move.

Based on a true story, the film presents events similar to those in the Lukić indictment.

A man blows balloons until they burst and thus expresses his accumulated aggression.

After the war, two friends are together again. Every year they buy one pair of new shoes.

This work is inspired by a truth of Jenny Holzer which says: „When something terrible happens people don't wake up“. This truth is questionable once the scenes from ruined Sarajevo are shown.

Tica (Birdy) a war orphan arrives to Sarajevo with his newborn daughter urgently needing surgical procedure. Facing his new appalling reality, Tica embarks into the night where demons of the past are always ready.

A biographical film about director Bahrudin 'Bato' Čengić and his contribution to Bosnian cinematography.

Women's Day in Sarajevo, 1993.