Bato

Bato

2021 · 88 min · Documentary

A biographical film about director Bahrudin 'Bato' Čengić and his contribution to Bosnian cinematography.

Directed by Mirza Pašić · Written by Mirza Pašić

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7.61988
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Perhan is a gypsy teenager with telekinetic powers. A wealthy gypsy, Ahmed, visits the village and promises to get Perhan's sister the medical treatment she needs if they join him to Italy. Perhan soon discovers that Ahmed's business activities are in fact quite shady and he is soon lured into the elder's corrupt surroundings.
When Father Was Away on BusinessWhen Father Was Away on Business · 1985
When Father Was Away on Business
7.31985
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In a post-WWII Yugoslavia still under Stalinist rule in the 1950s, six-year-old Malik is oblivious as to why his father, Mehmed, has suddenly disappeared. In truth, Mehmed has been sent to a labor camp as punishment for acts of sexual indiscretion involving young girls. Malik's mother, Senija, however, has no answers, and the family must cope in the father's absence.
Silent GunpowderSilent Gunpowder · 1990
Silent Gunpowder
5.11990
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Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.

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