Marc-Marie Huijbregts: Opdat ik niet vergeet

In Amsterdam Paradise we're witnessing the development of the relationship between Adam and Eva and see how it’s continually influenced and affected by dozens of other stories set in the city. Amsterdam Paradise is a shimmering mosaic narrative of the city, life and love.

Stage registration of the sixth comedy special by the Dutch comedian Micha Wertheim. The comedian notices that he has found his own audience through the years. But Wertheim also notices that his audience projects their own biased opinion on the performance, and there's nothing that Wertheim can do to change that opinion.

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

Stage registration of the fifth comedy special by the Dutch comedian Micha Wertheim. At the start of the performance, the performance appears to be unfinished: Micha Wertheim is still writing and the comedian has a writer's block.

Recently retired hairdresser Lou decides it is time to make a longtime dream come true. She sold her hair salon and is off to Spain to learn the language. Inspired by a new sense of freedom and encouraged by her teacher and new friend Andrea, she decides to permanently move to the seaside town of Cádiz. Just when Lou begins to believe that this new adventure is within her reach, her pregnant daughter Barbara shows up unannounced…

Set in Amsterdam’s Jordaan, the remake brings back the beloved café, its barman Kootje, mate Lukas, and neighbour Doortje, now facing the threat of a nearby highway endangering the pub.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

Stage registration of the third comedy special by Dutch comedian Micha Wertheim. A show about the "news addiction" that dominates the current media landscape, and about the problematic functioning of rhetorical devices like irony and satire.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Dutch filmmakers gathered to make this compilation movie, consisting of 17 segments, as a reaction to the status quo in The Netherlands after the assassination of filmmaker Theo van Gogh on november 2, 2004.

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

It takes courage to be a queer teenager at an LGBTQIA+ youth summer camp. Along with 65 other queer youngsters, Faas, Fano, Jeroen, and Finley are on their first summer camp, spending five intensive days of workshops that teach them how they can love themselves more. For the first time in their lives, the youths are surrounded by peers, all struggling with the same problems and feelings. As different as they are, they all share one thing: the need for contact and understanding. Mutual recognition of each other’s childhood or coming-out stories stirs up more emotions than they may have thought. Will this help them get closer to each other and eventually themselves?