Theo Maassen: Functioneel Naakt

An actor tempts fate when he convinces a legendary, but loose-cannon, theater director out of retirement to give a masterclass at a drama school.

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.

Stand-up comedian Ronald Goedemondt converts his daily experience as a man in his forties into astute humor about fatherhood and aging.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Registration of the second theatre program by the Dutch comedian Theo Maassen.

Registration of the first theatre program by the Dutch comedian Ronald Goedemondt.

Registration of the fourth comedy special by the Dutch comedian Ronald Goedemondt, in which Goedemondt explores the theme conformism.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.

Registration of the first theatre program by the Dutch comedian Theo Maassen.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Five friends from 'Maaskantje' are getting fired because of the economic crisis. They decide that they won't pay for anything anymore.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

The larger themes of life have slowly found their way into Goedemondt's small, safe world. He wasn't been waiting for that at all. How long can you deal maturely with, for example, parenthood, the future, and death as a forty-something? If it's up to Goedemondt: quite a while. He still doesn't stop his childish shouting and ranting, and he still taunts, rebukes, resists, stuns and ignores. Can he get by in society with that behavior? He's quite hard headed about that.