Bombay In The Night's Embrace

Bombay In The Night's Embrace

1967 · 136 min · ★ 9.0 · Thriller

A news reporter becomes a suspect after a robbery and a homicide aboard an aircraft.

Directed by Khwaja Ahmad Abbas

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3h 39m together

Bombay In The Night's Embrace

Black Mountain

Both from Khwaja Ahmad Abbas.

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Based on plays by Bhattacharya and the story Annadata by Krishan Chander. A film about the famine that swept through Indian villages in the final years of the war for independence. After natural disasters (floods and droughts), villagers seek refuge in the city.
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On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.
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★ 9.01974
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Gautam is a man who loves a woman but is crushed when he sees her with someone else. In his fit of rage, he accidentally kills a child. Will this turn of events change his life completely?
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Gyara Hazar Ladkian is a 1962 Indian Hindi-language romantic social drama film directed by K. A. Abbas. The film was co-produced by the poet Ali Sardar Jafri, who also helped co-write the story with Abbas. Produced under the Film Friends banner, it had music by N. Datta. The director of photography was Ramchandra
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★ 8.01968
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Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
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A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
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The film was based on Abbas's own story, One Thousand Nights on a Bed of Stones, which describes the struggle in the life of pavement dwellers in the backdrop of rapid industrialization.
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