Dharti Ke Lal

Premchand, an idealistic newspaper editor, is in love with Asha, an orphan he raised. Asha, however, falls for Puran, Premchand's radical star reporter. When Premchand compromises his journalistic ideals by making a deal with a corrupt businessman, Puran, true to his principles, quits and starts his own newspaper, "Naya Sansar." This act prompts Premchand to realize his error, return to his progressive stance, and ultimately bless the union of Asha and Puran.

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

The heartrending story of the friendship of a young boy with Black Mountain, an Indian elephant.

Gyara Hazar Ladkian is a 1962 Indian Hindi-language romantic social drama film directed by K. A. Abbas. The film was co-produced by the poet Ali Sardar Jafri, who also helped co-write the story with Abbas. Produced under the Film Friends banner, it had music by N. Datta. The director of photography was Ramchandra

Zindagi Ya Toofan is a movie directed by J. Nakhshab featuring Nutan, Pradeep Kumar. Loosely based on Umrao Jaan Ada.

A news reporter becomes a suspect after a robbery and a homicide aboard an aircraft.

Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.

Teenage love story of a Catholic girl from Goa and a Hindu boy.

Film starring Raj Kapoor, Hema Malini and Jayant

Ganga Singh (Jalal Agha), newly married to Gauri (Simi Garewal), brings his wife to his village where he lives with his father Hari Singh (Sajjan), and sister Sonki (Madhu Chanda). The village is suffering from drought and villagers have to travel a long distance to get water. Ganga Singh hears of a dam being constructed and leaves his wife to join in the building of it. His family goes through misfortunes, with his father dying and his sister being raped by the dacoit Mangal Singh. Ganga himself dies preventing a disaster at the dam. The dam is eventually built bringing greenery to an arid region. His wife bears a son and lives on in the village.

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

The film was based on Abbas's own story, One Thousand Nights on a Bed of Stones, which describes the struggle in the life of pavement dwellers in the backdrop of rapid industrialization.

An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.

A woman awaiting surgery recalls her life as a revolutionary along with seven other countrymen.