Royal Opera House: Alice's Adventures in Wonderland

Purcell: Dido and Aeneas

The Royal Opera, the Royal Ballet, and director-choreographer Wayne McGregor bring us an interpretation of DIDO AND AENEAS, an opera composed by Henry Purcell, with a libretto by Nahum Tate; based on Book IV of Virgil's Aeneid. We find Dido in her court with her attendants. Dido fears that her love for Aeneas will make her a weak monarch, but her attendants assure her that heroes, too, love....

Puccini Manon Lescaut

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

Royal Opera House: Tosca

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

Royal Opera House: The Marriage of Figaro

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

The Gondoliers

A couple of happy-go-lucky Venetian gondoliers discover that one of them is heir to the throne of a distant kingdom.

Carmen

Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.

The Minotaur

This staging of Harrison Birtwistle's opera The Minotaur features John Tomlinson, Johann Reuter, Christine Rice, and Andrew Watts in the main roles. Stephen Langridge directed the production for the stage, and Antonio Pappano conducted the orchestra.

Royal Opera House: Salomé

David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.

McGregor: Chroma / Infra / Limen

The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).

The Tsarina's Slippers

Live from ROH 2009, TV relay 1/12/2009.

Mahler: Symphony No. 8 'Symphony of a Thousand' - Sir Simon Rattle

Sir Simon Rattle conducts the National Youth Orchestra of Great Britain and massed choirs in Mahler’s epic Eighth Symphony, the 'Symphony of a Thousand'.

Sacred Music: God's Composer

The Sacred Music journey continues with this special celebration marking the 400th anniversary of the death of the Spanish composer Tomás Luis de Victoria. One of the greatest choral composer of the Renaissance, Victoria devoted his life to the church and his music is profoundly spiritual. Interwoven with Victoria’s music, this documentary follows Simon Russell Beale as he takes us through the life and times of Victoria. Harry Christophers and his award-winning ensemble, The Sixteen, perform Victoria’s music in the glorious setting of the Church of San Antonio de los Alemanes in Madrid, founded in 1606 by Philip III in Victoria's lifetime.

Acis and Galatea (The Royal Ballet / The Royal Opera)

The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

Royal Opera House: Don Giovanni

The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. But when Don Giovanni commits murder, he unleashes a dark power beyond his control. Kasper Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.

Eugene Onegin

Tchaikovsky's much-loved opera Eugene Onegin, a story of love, rejection and tragedy based on Pushkin's verse drama of the same name.

Royal Opera House: I Due Foscari

In Giuseppe Verdi's little-known early tragedy, a despairing father is torn between love for his family and his duty to a corrupt city. Jacopo Foscari, son of a 15th-century Doge of Venice, is convicted of murder and treason on a trumped-up charge. His wife Lucrezia is sure of his innocence. But the Doge, trapped by the machinations of the city, is forced to make a terrible decision.

Barbie in the 12 Dancing Princesses

King Randolph sends for his cousin, Duchess Rowena, to help turn his daughters, Princess Genevieve and her eleven sisters, into royal material. But the Duchess strips the sisters of their fun, including their favorite pastime: dancing. When all hope may be lost, the sisters discover a secret passageway to a magical land where they can dance the night away.

Barbie in the Nutcracker

The Mouse King casts an evil spell over Clara that causes her to shrink. Clara and the Nutcracker set out on an adventurous journey to find Sugarplum Princess, who has the power to undo the spell.

Barbie of Swan Lake

Barbie as Odette, the young daughter of a baker, follows a unicorn into the Enchanted Forest and is transformed into a swan by an evil wizard intent on defeating the Fairy Queen.

Hans Christian Andersen

A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.

Save the Last Dance

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Save the Last Dance 2

Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.