Jonathan Haswell

A couple of happy-go-lucky Venetian gondoliers discover that one of them is heir to the throne of a distant kingdom.

Live from ROH 2009, TV relay 1/12/2009.

The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).

Sir Simon Rattle conducts the National Youth Orchestra of Great Britain and massed choirs in Mahler’s epic Eighth Symphony, the 'Symphony of a Thousand'.

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

The Sacred Music journey continues with this special celebration marking the 400th anniversary of the death of the Spanish composer Tomás Luis de Victoria. One of the greatest choral composer of the Renaissance, Victoria devoted his life to the church and his music is profoundly spiritual. Interwoven with Victoria’s music, this documentary follows Simon Russell Beale as he takes us through the life and times of Victoria. Harry Christophers and his award-winning ensemble, The Sixteen, perform Victoria’s music in the glorious setting of the Church of San Antonio de los Alemanes in Madrid, founded in 1606 by Philip III in Victoria's lifetime.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.