Safranbolu'da Zaman

"The Ballad of the Wood" reveals the traditional architecture of the houses of the Western Black Sea region for centuries has been passed down from father to son, from master to apprentice through secrets and a technique known as "canti". Some of the houses shown have been standing for the last 100 to 150 years. The film honors the great craftsman of the past who utilized the "dizeme" technique through an emphasis on structures that are 300 years old. These examples are some of the most unique to be found in the Western Black Sea region. This craft has been passed down from generation to generation. Now only a few old and tired practitioners are left and they reveal to the camera their anti-earthquake construction techniques. The average age of the craftsmen is 80 years old.

The documentary explores one of Istanbul’s most significant art monuments, tracing nearly 700 years of cultural and artistic history through the mosaics and frescoes of the Kariye Mosque (Chora Church). By combining visual analysis with a distinctive soundscape—from Byzantine hymns and Orthodox prayers to the Islamic call to prayer and Ottoman takbirs—the documentary emphasizes Istanbul’s layered cultural continuity and enduring intercultural dialogue.

This documentary describes one of the greatest monuments in the history of world architecture, the historical, cultural and political past of a magnificent building whose history stretches right back to the 4th century.

Documents rapidly vanishing old houses and craftsmen in the mountainous eastern Black Sea region. The nail-less dovecoting construction of old log cabins withstands earthquakes. Sites in villages like Savsat were chosen both for their protection from snow and avalanches, and built on the poorest soil to leave the meagre arable areas for cultivation. In Ikizdere there are still stone and half-timbered structures. All these spacious homes are notable for their interior panelled walls and ceiling, elaborately carved and embellished. Various other techniques in Sumene and Rize are illustrated.

Reflects life, longings and a major “fear” in the subconscious of a 12-years old “woodcutter” girl living under very hard conditions in the forest of Toros Mountains at an altitude of approximately 2000 m. The documentary, aiming to symbolize a little-known but common practice of child labour, accomplishes a dramatic portrayal of laborers who work for Ministery of Forestry totally deprived of social security.

This documentary presents the past and present of Istanbul’s famed Grand Bazaar, whose history spans nearly five centuries. The film offers an intimate portrait of the bazaar through the perspective of a sherbet seller who has walked its streets for forty years, capturing the rhythms of daily life and the continuity of tradition within one of the city’s most enduring cultural spaces.

The Topkapı Palace series is the most comprehensive documentary project about the palace to date. In 1990, all of the palace's gates were opened to a film crew for the first time. Camera lights illuminated sections of the palace that are still closed to visitors and have never seen daylight until now.

A documentary describing the architectural, cultural and social aspects of Kula, a small town in the Aegean region which, with its historic houses and traditional Turkish architecture, is a veritable "museum". The film also aims to create a public awareness of the need to preserve such houses. This film was made in conjunction with students of the School of Journalism and Broadcasting of the Faculty of Political Sciences at Ankara University.

The fourth film in the "Traces of Anatolian Civilizations" series, "The Unquenchable Fire of Lycia" consists of two 30-minute episodes. The documentary reflects the Lycian Civilization, another stop in the Anatolian people's civilizational evolution. Indeed, the Lycian Civilization is a "fire" that finds its historical continuity in the Anatolian people's resistance to independence. In a sense, it is a magnificent and unquenchable "fire." During the filming of the film, the Lycian region, located between Antalya and Fethiye, was meticulously scanned step by step in two separate seasons, consulting with expert scientists.

Midas's World, a documentary depicting Phrygian art and culture, is the second installment in the "Traces of Anatolian Civilizations" series, produced by Suha Arın as a cultural service of the Turkish Touring and Automobile Association. The product of a year of intensive work, the documentary reveals that ancient Greek art and culture, known as the cradle of civilization, are actually rooted in earlier civilizations in Anatolia, particularly the Phrygians. For Midas's World, produced by Suha Arın and four students from Ankara University's School of Press and Broadcasting, all relevant sources, including museums displaying Phrygian artifacts and Phrygian settlements, were individually scrutinized.

Approximately 3300 years ago, on a cuneiform tablet, the Hittite King Muvatalli begged the Storm God. However, a hundred years later, severe storms blew over Anatolia, and the "Land of Hatti" and what we call the "Land of the Hittite" today became a pile of stones and earth, from one end to the other. But this civilization still lives on the traces they left in Anatolia and will continue to live for centuries. The documentary "From Hattis to Hittites", produced by Suha Arın in 1974 with the support of the Turing and Automobile Association, as the first film in the "Traces of Anatolian Civilizations" series, is restored 45 years later from original negatives and magnetic sound tapes.

The documentary "Two Seasons of Urartu," the third film in the Traces of Anatolian Civilizations series, is about the magnificent Urartian civilization, founded 2,800 years ago in Eastern Anatolia, centered around the present-day city of Van.

Directed by Süha Arın and Hakan Aytekin, the 1996 documentary explores Istanbul’s history through the enduring motif of gold. From Byzantion’s foundation as a trading colony to its role as the capital of three empires, the film traces how power and wealth were transformed into coins, art, architecture, and ritual. Moving from icons and mosaics to the Grand Bazaar and the modern gold exchange, the documentary presents Istanbul as a city where culture, economy, and daily life have been shaped by centuries of continuity and exchange of gold.

Shot in 1977, this documentary offers an unconventional narrative of Istanbul by exploring its water culture, architecture, natural resources, and literary heritage. It is one of a series of 12 documentaries produced by Süha Arın between 1975 and 1977, which collectively reflect the Anatolian culture and traditional values of the period. The project was realized with the support of the Turkish Touring and Automobile Association and was later restored and digitized with the support of the General Directorate of Cinema of the Ministry of Culture and Tourism, ensuring its preservation for contemporary audiences.