The Inspired Island: Unfulfilled Dreams

The Inspired Island: Home In Two Cities

The film explores Lin Hai-yin’s unique perspective of having “two homelands,” narrated by her daughter Julie Chang. It highlights her life, work as an editor, and her role in overcoming censorship. Lin Hai-yin’s novels, known for their inclusiveness, remain a shared memory for cross-strait readers. She was a friend to writers and a courageous mother, nurturing Taiwanese literature post-war. As editor of the United Daily News, she supported writers like Lin Hwai-min and founded the Belles-Lettres Publishing House. Her living room was a literary hub, and she is fondly remembered as “Ms. Lin Hai-yin.” Her novel Memories of Peking: South Side Stories was published in 1960.

The Inspired Island: The Man behind the Book

Wang Wen-xin, a revered novelist, is known for his deep appreciation of words and slow, deliberate writing style. He co-founded the literary magazine Modern Literature with classmates from National Taiwan University. His notable work, “Family Catastrophe,” published in 1973, was praised for its innovative language and realistic portrayal of interpersonal relationships. Another significant work, “Backed against the Sea,” took 25 years to complete and is celebrated for its modernist beauty. Wang is currently working on a new book, though its release date is unconfirmed.

The Inspired Island: Towards the Completion of a Poem

The Inspired Island: The Untrammeled Traveler

The Inspired Island: Port of Mists

The Inspired Island: The Coming of Tulku

The Ancient Chinese philosopher Zhuang Zhou’s dream of becoming a butterfly blurs reality and fantasy, reflecting a poet’s desire for freedom and eternity. The coming of Tulku draws from Buddhist classics, using Chou Meng-tieh’s life as a metaphor. His experiences at WuChang Street and his bookstand, started in 1959, led to enlightenment and loyalty to Buddha and loved ones. Influenced by Buddhism, his poems blend Zen with grace, affection, and prudence, capturing life’s essence with strength and delicacy. He closed his bookstand in 1980 due to illness.

The Inspired Island: River Without Banks

River Without Banks (2014) takes poetry and war as its main theme. As homage to Death of a Stone Cell, the film is structured into ten segments; each led by the first lines of the first ten stanza of the poem. Correspondences between the poet and his friends are incorporated throughout, taking the audience back and forth between Lofu's youth and middle age, only to eventually depict a full picture of the protagonist. The camera follows Lofu on his trips back to the bomb shelter and tunnel in Kinmen and his hometown Hengyang in Hunan Province of China, while also capturing his daily life in his adopted country of Canada. Acclaimed as the "Wizard of Poetry", Lofu shares through the film of the most insightful reflections.

The Inspired Island: Boundary

The Inspired Island: A Life That Sings

How have one poet and his single book of poetry from the last century continued to inspire people today? A Life That Sings follows the legendary poet Ya Hsien from Vancouver to Nanyan, to the mobile library from his childhood and to the basement of his current home. Through his collection of books and love letters, the film unearths the treasure trove abound with stories of Ya Hsien's life.

The Inspired Island: Multiflorate Splendour

The writer Bai Xianyong from the youthful vigor of founding "Modern Literature" at the age of 22, to the sincerity of the people who wrote "Father and the Republic of China" and "Pain Relief and Healing" in recent years. The film borrows the form of the stream of consciousness (dream of a garden tour)-the taste of Guilin rice noodles separated more than 40 years ago, the 10-year re-visit of Suzhou gardens, the dark kingdom on the stage, and the journey of lectures and lectures. With special encounters and literary history, one person has led the trend of several generations. He is uniquely strong and courageous, exquisite and affectionate. He echoes the symphony in the film and leads the audience to gradually touch the hot novelist's mind.

The Inspired Island: My City

Poet and author Xi Xi is one of Hong Kong's most treasured writers. Though also acclaimed in Taiwan and mainland China for seminal works like the essay Shops, her writings are firmly rooted in the spirit of Hong Kong. Leave it to Fruit Chan, another staunchly grassroots auteur, to make a documentary on Xi Xi's career. Chan sought out renowned critics and writers to discuss Xi Xi's works, starting with 1979's My City. He also juxtaposes photos of a changing Hong Kong with readings of her writings, and even playfully inserts characters from her stories into the film.

The Inspired Island: 1918

A documentary about writer and novelist Liu Yichang.

The Inspired Island: A Lifetime In Chinese Literature

The Inspired Island: A Lean Soul

A Lean Soul examines the life and works of Taiwanese novelist Qi Deng Sheng. The filmmakers were able to have in-depth interviews with not only the writer's closest friends and relatives but also the notoriously camera-shy protagonist himself. The film vividly dramatizes many passages from his intensely autobiographical works of fiction. The result is an intimate and candid portrait of one of the most important and controversial Taiwanese writers.

The Inspired Island: I Remember

A series of documentaries that aim to introduce important Chinese writers to the next generation and to preserve and promote the works of literary masters. The episode "I Remember" is directed by novelist Lin Junying, who has had a deep friendship with the Zhu family for over 40 years. The film focuses the second generation of daughters Zhu Tianwen, Zhu Tianxin, Zhu Tianyi and son-in-law Tang Nuo, who together co-founded the "Sansan Bookstore".

The Inspired Island: Still Young

A documentary about a Taiwanese poet Wu Sheng.

The Inspired Island: The New Formosa Mambo

My Favorite Season

Bi Bao-Liang is a 29 year-old man who believes that he will have bad luck if he touches a woman before he turns thirty. Liu Xiang-mei is a beautiful woman who had a love affair with her married boss, and now she is pregnant. In order to give her child a family name, she decides to find a man to have a one-year marriage contract. Bi Bao-Liang is the perfect man she is looking for because he is afraid of women. However, their marriage does not follow what they've planned...

Out of the Blue

Teenagers Jielong and Tangmi secretly love each other, but Tangmi vanishes after they spend a night out together. Jielong has to turn back to focus on his studies and enter university. Unexpectedly, Tangmi resurfaces with a newborn baby.

HHH: A Portrait of Hou Hsiao-Hsien

Entry on Taiwanese new-wave filmmaker Hou Hsiao-Hsien for French television's "Cinéma, de notre temps" series, directed by Olivier Assayas.

Dust in the Wind

A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.

A City of Sadness

The story of a family embroiled in the "White Terror," the Kuomintang government's anti-communist political repression that was wrought on the Taiwanese people from 1947-1987.

A Summer at Grandpa's

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

Taipei Story

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

The Time to Live and the Time to Die

An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.

The Boys from Fengkuei

Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.

Good Men, Good Women

An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.

Growing Up

The story follows a young man as he changes from an intelligently aware youth, to a teenager with much less confidence than he once had, and finally, to a stable adult.

Daughter of the Nile

Lin Hsiao-yang tries to keep her family together while working as a waitress at Kentucky Fried Chicken and going to night school. With no mother and her father currently working out of town, it is up to Lin Hsiao-yang to take care of her younger siblings, who are slipping into a life of crime.

Millennium Mambo

In 2011, Vicky looks back on her life a decade earlier, recalling her turbulent relationship with her controlling boyfriend Hao Hao and her growing connection to a compassionate gangster amid the neon haze of Taipei's nightlife.

Three Times

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

Goodbye South, Goodbye

In this portrait of small-time hoods rendered in rhythm-of-life anecdotal detail, Gao is the leader of a circle of layabouts including his sidekick, Flathead, and their girlfriends, Pretzel and Ling. He is also the originator of petty crime schemes, which promise to get the gang nowhere fast.

Flowers of Shanghai

At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.