The Professional Killer

A young woman whose kung fu has reached the point where she can turn invisible runs afoul of a powerful family when she disrupts a wedding. She must fight off kung fu masters and even a poisonous centipede ring!

The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.

Bun-de (Wen-de in Mandarin, played by Shi Jun/Shih Chun) is a shy young man. Aggressively courted by all the girls in the neighbourhood, he only has eyes for the pretty and mischievous Gui-kia (Jin Mei/Chin Mei). She finds every means possible to meet up with her boyfriend, although he is closely watched over by a very protective father, A-Gao. When the parents finally agree on the wedding, they realise that they used to be in love. Accusing each other of betrayal, they refuse to allow their children to marry. Bunde and Gui-kia decide to elope.

Rare drunken film, featuring Alan Liu and Hsu Buh Liao: as two likable swordsmen, who get injured by the white haired general whilst trying to save a young damsel in distress. As they recoup they invent seafood boxing to prepare them for the inevitable duel with the white haired general

Tsi-Bing is living a wealthy and successful life. However, he is manipulated by his mistress into believing that his wife is having an affair and he throws her out. After his mistress vanishes with his money, Tsi-Bing is forced to relocate to a makeshift home with his three children, who take on various jobs, such as selling rice dumplings, to make ends meet. The story centers on a man who loses his social and economic status but manages to regain his place in his family through sacrifices – much like the experience of female protagonists in melodramas. This male-centric narrative was recognized as part of a subgenre of Taiwanese-language melodrama. The depictions of a powerful male figure losing his power before finally turning the tide, and a woman able to support herself after leaving home, both suggest the changing attitudes of the late 60s as people were less convinced of the perfect family, but could still find beauty in its cause.

Tshui-Giok’s step-father sells her to a club to pay off his debt. But when her boyfriend, Kok-Liong, learns about it he helps get her out and plans to marry her. However, Kok-Liong’s mother disapproves of the marriage and arranges for him to marry a wealthy girl, Hun-Kiau. Years later, when Kok-Liong and Tshui-Giok meet again, all their feelings return. Though Tshui-Giok ultimately decides to break up with Kok-Liong for the sake of Hun-Kiau, her leaving drives Kok-Liong mad and Hun-Kiau has no choice but to set Kok-Liong free, so he and Tshui-Giok can be together.

Kueiyuan is a deliveryman for a cosmetics company. He is a womaniser and dreams of making a quick buck. He meets a romantic 20-year-old girl, Qingmei, who feels trapped by her mother’s small restaurant and is eager to escape. Kueiyuan earns a commission fee by introducing Qingmei to a cabaret, run by Yuchan. Qingmei falls in love with Kueiyuan and sleeps with him. However, under pressure from Kueiyuan and Yuchan, Qingmei agrees to become a mistress to an old millionaire. Meanwhile, Yuchan seduces Kueiyuan and controls him with money and sex. When Qingmei discovers that she is pregnant by Kueiyuan, the latter demands an abortion. Qingmei runs away and hides. When Kueiyuan proposes marriage to Yuchan and is rejected by her, he finally realises that he is in love with Qingmei and goes out to look for her.

Horror movie.