Chu Hsiang-Kan

A police inspector goes to war with a Hong Kong drug cartel, who then kidnaps his son.

A debt-ridden martial artist is forced to work for a gangster, who then murders his family.

Two policemen try to defeat a drug lord using the ancient art of Kung Fu.

A bittersweet love story that unfolds over several years. The central character goes through much happiness and heartache.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

A young masseuse leaves his village to study martial arts under the tutelage of a famous warrior. He soon learns, however, that being a hero comes with a great emotional price...

Dream Sword is the ultimate weapon in the martial world

Chained together in a ring of mistrust and hate, the good and the bad fight in karate.