The Carnival

Pedro arrives at the coast and reunites with Maxi, whom he hasn't seen since childhood. Hoping to make his ex-girlfriend jealous, Maxi asks Pedro to pretend to be his boyfriend. Pedro agrees, amused, but fails to realize that this game could turn into reality.

Some men are real dogs. And Juan finds one in the wild while on vacation. He takes it in, bathes it, feeds it, and shows it the affection it so desperately needs. However, his girlfriend warns him not to get too attached...

Gabriel has just moved in with Juan. Shy and reserved, Gabo resists Juan’s wandering hands and intense gaze. With a parade of beauties filing out of Juan’s bedroom, his machismo seems firmly entrenched. Yet, the attraction between the two men is undeniable. What begins as a sexual arrangement born of proximity soon evolves into a captivating, tender, and intimate relationship - one that is as sweet as it is heartbreaking.

It is Christmas break, and Andy leaves the city to spend some time at a luxury villa with his best friends. The days spent in male company amidst the timeless atmosphere of the holidays foster rest, relaxation, and occasional horseplay. However, their initial consensual fooling around reveals that each of them has different personal boundaries.

Eugenio spends the summer looking after his aunt and uncle’s house - a place that once belonged to him - while seeking inspiration for a screenplay he is writing. Martín, currently unemployed, offers to handle various repairs around the house. The two met long ago as children but had not seen each other since. However, their renewed connection is built on deception: Martín has nowhere to sleep but lies to Eugenio about it, while Eugenio seems interested in Martín as something more than just a friend.

After his girlfriend Laura leaves him for another man, Bruno plans to come between the new lovers. But his plan takes an unexpected turn, causing Bruno to question his own sexuality.

The object of affection is a boy who never speaks (something that can work wonders in a film of this length), but whose crotch outline seems to be everywhere the lustful visitor (Javier De Pietro, previously seen in Berger’s Absent and Hawaii) casts his eyes.

A man awaits his execution by firing squad. His final wish before dying can only be granted by those standing before him: male soldiers.

Fernando is on vacation with his friends at a country house in Ezeiza. They relax by the pool, drink, smoke, and reveal their deepest secrets while displaying a playful freedom, as if they were children at summer camp.

Pablo offers Javier a taxi ride to his place and once there, invites him in. After watching television with his cousin, Pablo asks Javier to sleep over. Once in bed, almost naked, they get ready to go to sleep.

Ezequiel is home alone while his parents are away. He bears the burden of desiring other boys and keeping it a secret—until he meets "Mono," an attractive skater who represents something more than the desire and experimentation he was seeking.

A pulsating, thrill ride that weaves six scintillating experiences of men in various forms of male bonding, Sexual Tension: Volatile will leave you wanting more! A young man feels the adrenaline rush of his sexy tattooist’s needle in ‘Ari’ while in ‘The Cousin,’ a cute boy has a taboo attraction for a family member. Two ‘straight’ buddies literally show, each other, how to make love to a woman in ‘The Other One,’ while a man with ‘Broken Arms’ receives a sensual sponge bath from a male nurse. ‘Love’ is questionable when a broken shower brings a married man and an innkeeper together and in ‘Workout’ two muscular men begin to explore each other chiseled bodies. Voyeuristic pleasures await you as the camera penetrates and caresses the men’s bodies while exploring the mysterious and electrifying nature of male intimacy.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

A sci-fi fantasy about two parallel worlds - one comic, the other dramatic - in which the so-called "Butterfly Effect" gives two people a new chance at love.

Martín, a young student, gets injured during a swimming class. Sebastián, the PE teacher, takes him to the hospital. When they leave, he offers to drive him home, but Martín is planning to spend the night at a classmate's house, since there is no one at his own home.

Mateo and Lucas, best friends, go out partying on a hot summer night. Mateo meets Lucía, and she commits an act that will change their lives. From that moment on, Mateo and Lucas embark on a journey - both physical and personal.