Gaston Re

Fernando is on vacation with his friends at a country house in Ezeiza. They relax by the pool, drink, smoke, and reveal their deepest secrets while displaying a playful freedom, as if they were children at summer camp.

Gabriel has just moved in with Juan. Shy and reserved, Gabo resists Juan’s wandering hands and intense gaze. With a parade of beauties filing out of Juan’s bedroom, his machismo seems firmly entrenched. Yet, the attraction between the two men is undeniable. What begins as a sexual arrangement born of proximity soon evolves into a captivating, tender, and intimate relationship - one that is as sweet as it is heartbreaking.

Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.

Berger approaches Carnival with painterly precision and vitality, yet the focus is not on the parade itself but on the preparations - the anticipation, the hours leading up to the event where bodies let loose and transform. The film turns the eve into a source of mystery and visual delight.

At the exit of a bowling alley, two young friends have to face a series of conflictive situations...