Michigan Central Station

A video work by Nicky Hamlyn

The film is composed of receding planes in a landscape: a back garden and the houses beyond. The wooden lattice fence, visible in the image, marks the border between enclosed and open, private and public space, and forms both a fulcrum for the work and a formal grid by which the shots are framed and organised.

A video work by Nicky Hamlyn

Ghost stories opens with a sequence of polemical shots: a mysterious shadow, an ambiguous advertisement which has deeper ambiguities unknown even to itself, and a lengthy quotation from Roland Barthes on the nature of autobiography. These opening shots outline the context in which I hope the bulk of the film will be seen: as a critique on so-called visual literacy, which is frequently based on a complacent mis-reading of images, and also as a rejection of film-biography, whose efficacy depends on such visual complacency. The body of the film consists of fragmentary views of the interior of a house, in which desultory activity occasionally takes place, sometimes in front of the camera, sometimes not. A ghost story is told, firewood is sorted.

Power Hub is a site-specific time lapse film shot over 24 hours in a disused bus factory in Maidstone, Kent, UK. The film was projected onto the window through which it was shot.

A sequence of short films, each based on a dominant colour. Extensive use of time-lapse and frame by frame filming generates scintillating juxtapositions of light phenomena. Filmed in north west Umbria.

A video work by Nicky Hamlyn

A study of the TV as the bearer of images and as a scuptural-environmental object. The footage is extracted from an episode of the TV soap Brookside.

A video work by Nicky Hamlyn

Panni is a visually arresting work in its formal structure and visual expression of colors. The subject matter of the film is a row of bed sheets flapping on a clothesline, drying in the wind. The colors punch through the screen as orange sheets flutter against a green backdrop of grass and trees.

A short shot made from a train traveling from south to north through East Croydon station is cut into three-frame sections, each of which is looped for ten seconds. Each loop advances by one one frame at a time. The looping process generates complex artifacts and kinetic illusions in the image.

Set in a particular location, a stretch of ‘white’ – unmetalled – road in Umbria. Structured around ordered and disordered features of the landscape.

Tobacco Shed is one of a series of films based on agricultural buildings, mostly concerned with tobacco production, in northwest Umbria.

Pro Agri is one in a series of films of buildings related to tobacco production in Umbria. It was shot over a two hour period from an hour before to an hour after sunset, at a rate of one frame every two seconds.

The work is constructed from shots of tidal seawater running over rippled sand and the blister pack for Amlodipine, a blood-pressure reducing drug.