Scipio Africanus: The Defeat of Hannibal

Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.

An opera company tries to get an engagement.

The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto, his studies in Milan, his first opera "Oberto, conte di San Bonifacio", the death of his wife and his children killed by smallpox.

While working at a top hotel, the head porter falls in love with a wealthy female guest.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

Carmen, wife of a certain Vincenzo detained for theft, chooses Antonio as a friend. When the husband is released from prison, he accepts the relationship in progress and continues to use the woman in his shady businesses.

Set in the Papal States in the first half of the 19th century, it tells the story of the Roman noblewoman Vanina Vanini and her secret love for the Carbonaro Pietro Mirilli. The latter, given his commitments in the underground struggle, decides to abandon his young lover, who is nevertheless willing to marry him. Left alone, Vanina is unable to escape her despair and tries in every way to reunite with her companion, even going so far as to denounce the Carbonari to the Cardinal of Romagna, naming them all except Pietro and revealing the hiding place where they meet. Pietro, learning of Vanina's betrayal, casts her out. Only then does Vanina realize the gravity of her actions and decides to join the Carbonari, even participating in combat operations, during one of which she is wounded. This brings the two young people closer together forever.

Soava Gallone plays an unhappy housewife in this Italian diva film.

Japanese-Italian adaptation of Puccini's opera.

Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.

A taxi driver, with singing ambitions, finds an abandoned baby in his cab and begins to look for his mother. He doesn't find her but succeeds in finding two people who want to adopt the child.

A popular stage tenor can't stay away from his female admirers until his wife threatens to divorce him.

A hotel worker who is really an aristocrat falls for a lady customer but instead of getting married he prefers to stay at work and get what female company he can from the staff.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

The biographical story of Puccini spans his creative life from early student days to the height of success, including his early flop Madama Butterfly and his incomplete Turandot. Along the way he encounters three women who change his life, including an attractive, beautiful singer whom he drops for a small town girl, and a servant girl who commits suicide over him.