Don Camillo's Last Round

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

Priest Don Camillo blackmails his friendly rival Peppone into letting him join a Communist delegation visiting the Soviet Union.

Mayor Peppone might very well lose the elections and Don Camillo makes sure that the mayor's delinquent son gets his act together while his own niece makes Peppone think she is pregnant by his son.

Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.

The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto, his studies in Milan, his first opera "Oberto, conte di San Bonifacio", the death of his wife and his children killed by smallpox.

While working at a top hotel, the head porter falls in love with a wealthy female guest.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

An Italian emigrant, who found fame and success in America, comes back to his hometown after over twenty years.

Japanese-Italian adaptation of Puccini's opera.

Soava Gallone plays an unhappy housewife in this Italian diva film.

Musical comedy. An opera singer falls for a stowaway on the way to Monte Carlo

In this espionage film, Mata Hari's daughter takes the mantle from her notorious mother and entangles her self in an Asian web of intrigue and war.

A hotel worker who is really an aristocrat falls for a lady customer but instead of getting married he prefers to stay at work and get what female company he can from the staff.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

An opera singer hides an American soldier in his house in Nazi-occupied Rome.

The biographical story of Puccini spans his creative life from early student days to the height of success, including his early flop Madama Butterfly and his incomplete Turandot. Along the way he encounters three women who change his life, including an attractive, beautiful singer whom he drops for a small town girl, and a servant girl who commits suicide over him.

Goethe's drama and Gounod's opera "Faust" is treated here like a movie rather than the usual photographed-opera from a stage method. Faust is a man who sells his soul to Mephistopheles in exchange for eternal youth, and the latter, with guileful glee, leads Faust to disaster along the paths of pleasure. Marguerite falls in love with Faust, and suffers as a consequence.

When Emir Feofar Khan, leader of the Tartar hordes, takes up arms and invades the steppes of Eastern Siberia, Czar Alexander II of Russia entrusts the brave officer Michael Strogoff with a dangerous mission.