Anocha Suwichakornpong

An 11-year-old boy steals money for bribes to remove his gay older brother from Thai military conscription rolls, unaware of the ramifications.

Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.

A family of four – Father, Mother, Daughter and Son – arrives at a mysterious house between the ocean and the forest, feeling an unnamed crisis. What begins as a temporary stay stretches into a strange limbo. After an accident leaves Son bedridden, the family turns to a ritual of telling stories about the ocean, stories that seem to make people forget. Haunted by recurring nightmares, Daughter begins to sense that her own missing childhood memories are tied to the house and to a girl in a green dress. As the past surfaces and the boundary between reality and story dissolves, she must choose her way of remembering.

Produced by the Luang Prabang Film Festival, "MEKONG 2030" is a collection of short narrative films that envision the future of the Mekong River from five different national and cultural perspectives. Set in the year 2030, they aim to both entertain and inspire audiences to actively protect this critical life source.

According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.

A kaleidoscopic video essay exploring the state of contemporary Thailand.

A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.

Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.