No More Hibakusha!

This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).

A film for teachers, describing the use of the "discovery method" in teaching. All it needs is a teacher whose encouragement is natural and unobtrusive. The film shows a free environment where even the furniture can be arranged to meet the needs of a particular enquiry. Film loops and other visual media are shown being used to advantage in this method of teaching.

This short documentary depicts the stories of two hibakusha, survivors of the 1945 atomic bomb attacks on Hiroshima and Nagasaki. This film follows them on their mission to New York as representatives of the Japanese Peace Movement at the second United Nations Special Session on Disarmament held in June 1982.

This short film was shot on the Grand Banks of Newfoundland and shows off the new technology employed on modern fishing boats in the mid-1960s. The featured trawler is open-stern style, allowing full nets to be dragged easily from the sea then lifted to release the silvery catch into the cleaning troughs. -NFB

A film about the women who supported the 1978 miners strike against Inco, the multinational which owned the nickel mines in Sudbury, Ontario. As the women became increasingly involved in the strike, they questioned more and more their traditional supportive role. This provoked many heated discussions among the women and obviously not without upsetting husband, family, union - and company...

This short documentary profiles a community engaged in developing sustainable living methods, including food production and small-scale solar and wind technology, on a farm in Massachusetts in the 1970s. Well before sustainability was a mainstream concern, these prescient innovators attempted to create a vision of a greener, kinder world. "Think small," say the New Alchemists. "Look what thinking big has done."

Experimental filmmaker and color cameraman here collaborate in a surrealistic retelling of the old myth. But this is a dream fantasy with no real parallel to Pandora, replete with striking symbols where everything is larger than life--the silhouetted image of a mother and an infant, the profiled view of two sculptured heads spouting smoke and fire.

The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.

A rare "inside" view of a motorcycle club in Toronto, one of the network of such fraternal groups in the large centers across North America. The names they adopt (Satan's Choice is only one) are as individual as their special ethics and views of life, all freely expressed in this film.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

Newfoundlanders share their food, culture, and homes with a group of Tamil refugees found off the coast.

When a camera crew are sent to document hippie protests in Yorkville, Canada's counter-culture capital, they are charmed by a group of misunderstood kids with their own ideas about what kind of movie to make.

This fictional feature follows a twenty-something man who is struggling to define his position in the world in early adulthood. He has left their parents' home but still has not made an home of his own. Our protagonist’s alienation is palpable; for him life is a game, not because he chooses to make it so, but because he is unable to make anything more of it. But for those who befriend him and eventually turn him loose again, his game is not enough.

Michael J. Pollard stars in Derek May's short film exploring the touristic landscape of Niagara Falls.

This feature documentary takes us back to April 20, 2001, as Quebec City prepares to host the 3-day Summit of the Americas. A 4-kilometre fence has been erected, cutting off the Upper Town from the rest of the city. Thirty-four heads of state from the Americas will meet behind closed doors to discuss agreements for a Free Trade Area of the Americas (FTAA). Those opposed to the FTAA are mobilizing and gathering in Quebec City, too. Several thousand delegates have come to participate in the People's Summit, and tens of thousands will march in protest. Six thousand police officers fill the streets and it looks as if the historic Quebec capital is under siege. The local population fears the worst. Will the Quebec capital become a battleground? Shot in cinéma vérité style by 7 of Quebec's best documentary filmmakers, View from the Summit vividly portrays what happens when passionate and creative protesters clash with the ideologies of those in power.

This touching documentary follows a cast of blind and visually impaired actors as they prepare Dancing to Beethoven, a play about blindness. The film takes us deep into the lives of the actors. We hear stories of their shock and disbelief at first losing sight and of their struggles coping with a life without it. We hear them talk about grieving and pining for the visual world. They tell the moving story of how this play is itself a victory, a type of salvation, for each of them. By opening night, at the renowned Place des Arts in Montreal, they are a close-knit cast, well-honed and ready to step out of the wings and into the light.