Bonjour Monsieur Shlomi

Three stories about three women: one is trying to find the right guy; one is trying to get a divorce from her runaway husband so she takes hostages; one turns Tel Aviv upside down in order to save a kitten trapped in a storm drain.

Sassi is more than 20 years older than his wife Effi and is worried about his declining powers. Surgery has left him seeking treatment for impotence, but Effi insists she’s content with their emotional closeness. In her work as a physical therapist, though, Effi sees the link between body and heart every day. The biggest challenge to their loving relationship has been the gambling debts Sassi’s adult son keeps running up. But the couple’s fragile understanding, compounded by the presence of two young men, introduces new threats. Their teenage grandson, Omri, returns from living with his father in Europe, at loose ends and clearly in need of guidance. For one thing, he can barely stand to wear a shirt. Then a young patient turns up at the swimming pool where Effi conducts therapy sessions. He comes to confront her about something from their past, something complicated, contested, and painful to them both.

On the day he is released from prison, Yisarael appears on the doorstep of the woman whose life he had changed. A weird relationship develops between the two.

At thirty-seven, Miri is a twice-widowed, El Al flight attendant. Her well-regulated existence is suddenly turned upside down by an abandoned Chinese boy whose migrant-worker mother has been summarily deported from Israel. The film is a touching comic-drama in which two human beings -- as different from each other as Tel Aviv is from Beijing -- accompany each other on a remarkable journey, one that takes them both back to a meaningful life.

Simple people struggle through extraordinary circumstances. Sometimes the only answer to any problem is 'The world is funny so we have to laugh.

Follows three brothers who are going to discover the greatest secret of their late mother. This trip is going to change their lives.

Adeline's Chinese housekeeper suddenly disappears, leaving behind a little boy who doesn't speak a word of French. Helped by her sister, she takes care of the child and proceeds to locate the mother.

The life of Avihao (Morris Cohen), a television personality with an excessively big mouth, is getting more and more complicated: his mother Sarah (Levna Finkelstein) stopped talking, fell into complete silence and his father does not understand why. Aviv (Oshari Cohen), his beloved former student, unexpectedly becomes the leading candidate in the prime ministerial elections even though no one knows what he has to say. He doesn't give interviews, doesn't talk, doesn't give speeches - he just stays silent all the way to victory, a silence that challenges Avihao to the point of risking his career and his family.

Aviva, a hard-working hotel cook in the small northern Israeli town of Tiberias, is on the brink of finally fulfilling her lifelong dream. For years she kept her remarkable writing abilities under wraps, until her sister, Anita, introduces her to Oded, an accomplished novelist. Immediately recognizing Aviva's talent, Oded takes her under his wing, promising to help her achieve greatness. But the journey to greatness effects her life and the lives of her family - her unemployed husband, her trouble children, her unstable mother, and primarily her sister, a funny and sensitive woman who have her own dreams. When Aviva discovered that Oded has other plans for her work, her world collapses.

On the evening of Passover dinner holiday, a family gathering reveals the delicate relationships between parents, brothers, sisters, husbands and wives. Secrets and lies force them to understand how fragile everything is.

Based on Yehudit Katzir's novel Schalffstunde, the film presents the unusual love story between a 15 year old girl and her 15 year old cousin who lives in the United States. The two met every summer in Tel Aviv and secretly discovered the pain of love, sexual attraction and the unavoidable power of forbidden desire. When their uncle intervenes and dies mysteriously, they remain separated until years later when they meet again and finally discover the truth about their past.

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.