Por que Só Tatauí?

Rui arrives in a small town looking for his father, a prospector. Before that, he gets involved with Maria, who is facing problems in the family. Maria's stepfather is the head of a gang and will go to any lengths to prevent Rui from finding his father.

After being orphaned, a boy is raised by his grandfather and uncles, rich rural landowners, on a sugarcane plantation where he grows up, studies, learns about politics, love and disillusionment.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.

Evocation of the paths taken by Glauber Rocha in Monte Santo and Cocorobó, Serra de Canudos, Bahia, when he was filming 'Deus e o Diabo na Terra do Sol'. Parallelism between the vigor and rigor of Antonio Conselheiro and the filmmaker's purposes, driven by eagerness to awaken the conscience of men and promote freedom.