Michael Strogoff

Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.

The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto, his studies in Milan, his first opera "Oberto, conte di San Bonifacio", the death of his wife and his children killed by smallpox.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

Birdaghin is a dancer at La Scala in Milan whose rapid success also quickly goes to her head. Fortunately, everything will be fine.

Japanese-Italian adaptation of Puccini's opera.

Set in the Papal States in the first half of the 19th century, it tells the story of the Roman noblewoman Vanina Vanini and her secret love for the Carbonaro Pietro Mirilli. The latter, given his commitments in the underground struggle, decides to abandon his young lover, who is nevertheless willing to marry him. Left alone, Vanina is unable to escape her despair and tries in every way to reunite with her companion, even going so far as to denounce the Carbonari to the Cardinal of Romagna, naming them all except Pietro and revealing the hiding place where they meet. Pietro, learning of Vanina's betrayal, casts her out. Only then does Vanina realize the gravity of her actions and decides to join the Carbonari, even participating in combat operations, during one of which she is wounded. This brings the two young people closer together forever.

Soava Gallone plays an unhappy housewife in this Italian diva film.

Musical comedy. An opera singer falls for a stowaway on the way to Monte Carlo

Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.

A taxi driver, with singing ambitions, finds an abandoned baby in his cab and begins to look for his mother. He doesn't find her but succeeds in finding two people who want to adopt the child.

In this espionage film, Mata Hari's daughter takes the mantle from her notorious mother and entangles her self in an Asian web of intrigue and war.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

The biographical story of Puccini spans his creative life from early student days to the height of success, including his early flop Madama Butterfly and his incomplete Turandot. Along the way he encounters three women who change his life, including an attractive, beautiful singer whom he drops for a small town girl, and a servant girl who commits suicide over him.

Goethe's drama and Gounod's opera "Faust" is treated here like a movie rather than the usual photographed-opera from a stage method. Faust is a man who sells his soul to Mephistopheles in exchange for eternal youth, and the latter, with guileful glee, leads Faust to disaster along the paths of pleasure. Marguerite falls in love with Faust, and suffers as a consequence.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.