Mitraglia e il verme

Anthology of urban stories form seven Italian directors.

1976, Aldo, an explosives expert, is exiled to Italy after mining protests. There he meets Luciana, an anarchist doctor who offers to reunite him with his family, but only if he takes up his old trade: making bombs for revolutionaries.

A journey through three distant cultures, retracing the steps that give rise to the breath of life: its primeval discovery, the circularity of breathing, the harmony of song, the colour of each single voice and the connection with the innermost part of the self.

Three sisters, Stella, Luce and Aria, live in an isolated house, immersed in the shadows, submitted by a violent and authoritarian father, a religious fanatic obsessed with the end of the world, who keeps them prisoners behind locks and closed windows, under the pretext that the Apocalypse has finally arrived.

An Italian boy dreams of becoming a bullfighter. In the sunny Andalusian pasture, a calf is born destined to be a fighting bull. Humans and animals grow up in totally different worlds, but their lives reflect each other. Only in the end will they meet.

Journey into the world of transvestites and transsexuals from the South of Italy who prostitute themselves on the sidewalks of Turin where they live in crumbling walkways. The result of a two and a half years research, the film consists of a continuous, almost imperceptible transition from documentary to fiction and vice versa, characterized by respect and delicacy.

1982. French actress Eddie is on the verge of collapse and travels to Rome accompanied by her loyal makeup artist, Valentina, to shoot a science-fiction film – a film that could be her last one.

Hana, a shy sweet sixteen, is secretly in love with Mario, a schoolmate and half of popular youtube duo Luka & Mario. Hana observes the shoot in which Luka accidentally hurts Mario. Hana helps Mario with the wound, and gets invited to go with him and Luka to a lake where they will shoot a solar eclipse tomorrow.

A journey into the pre-adolescent world to recount the year of Covid. A portrait of Italy seen through the eyes of boys and girls aged between 10 and 14. The virus, quarantine, home schooling, distant friends, suspended activities, the new normal. The dreams, fears, and fantasies of young people during the pandemic...

"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.

During the Resistance, in November 1943, the “Women's Defence Groups for the Assistance of Freedom Fighters” were formed. These groups organised demonstrations to demand peace in the city and in the municipalities of the province; the women collected clothing for the partisans, made flags and armbands, the older ones knitted woollen socks and jumpers, the younger ones became gappiste (female partisans), couriers or took up arms. Marisa, Carmen, Carla and the other protagonists of this story took part in the Resistance in Piedmont, and now they recount that period, illustrating its difficulties, commitment, losses, growth and achievements.