Gang vs. G-Men: Safe Breakers

A gang of bank robbers plan a big robbery, but they all plot to betray each other after the heist for different reasons.

Ishihama is planning a casino robbery with his wife and mother-in-law. They meet a man named Tsuneda who is planning the same robbery and agree to work together.

The plot opens with the hero (Tsuruta) leaving prison, having served time through taking the blame for a fellow gang member’s crime. However, his former gang boss seems to have gone to seed, with people now killing each other and dealing in drugs. The hero then teams up with a lone operator (Tamba) who specialises in shaking down gangsters.

Two rival gangs of gangsters clash for dominance of a neighborhood.

Two men head a team who steal a factory payroll valued at 500 million yen. Then a hoodlum gang goes after the team for the money.

A modern gang version of Chushingura, chronicling almost scene for scene the Brave 47 Ronin story, transposed from the Genroku Period to the Showa Era.

A yakuza is released from prison after serving a long sentence. He immediately sets about creating a new gang and attempts to pull off a huge ransom score.

The 11th and final film in the Gang series. Most of the films had different directors and cast, and were only connected by the title and Toei's marketing department. Unlike the early entries, which were jazzy capers, this final entry is a prototype jitsuroku yakuza film. Just back from the war, Noboru Ando leads a gang of war vets turned gangster in the US occupied streets of Tokyo. They get into a conflict with a Chinese gang as well as the military police. Tetsuro Tamba appears as a police chief trying to bring peace to the streets; 1st wave pinky violence star Masumi Tachibana is a girl grieving his dead gangster father.

Many outlaws are gathered at the front line of the Japanese Army in a shock troop.

Ogami Itto is a master swordsman who holds a position of high power in the Tokugawa Shogunate. Highly trusted by the Shogun, he serves as the official decapitator, assisting lords and samurai who have been ordered by the Shogun to commit seppuku. One day, Itto’s wife and members of his household are brutally murdered by a clan seeking to avenge their lord’s execution, which had been carried out by Itto. In the wake of the attack, two items are left in Itto’s home: his unhurt infant son, Daigoro, and a symbol meant to signify Itto’s betrayal of the Shogun. Disgraced by the false symbol, Itto is labeled a traitor and forced to forfeit his position. He becomes a ronin, wandering the country with his son, searching for the men who killed his wife, seeking to clear his name and avenge her death.

A 1970 entertainment action masterpiece directed by Teruo Ishii. A companion piece to another Ishii-directed film from 1970, also starring Watase, Yoshida and Sato called PRISONERS' BACK LIST.

Discover 4 famous Japanese murderers: Takahashi Oden, the last woman beheaded in Japan, Sada Abe, a crazy lover, Kunihiko Kodaira, a rapist-killer and finally, the Toyokaku case, a woman who did everything to own a hotel.

With her first love that unfolded in the battlefield in her heart, and with a short sword and a pillbox as her weapons, female gambler Okatsu the Tiger Lily travels from gambling site to gambling site. Surrounding her are Omon, an outlaw star blind lone gambler; Onaka, a thief who’s after Okatsu to avenge her father’s death; Ohide, a tattoo artist whose back is covered by a dragon tattoo; and Oryu, a young girl sold as a prostitute to a gambling family.

Teruo Ishii portrays the bitter conflict over the right to develop land in a gripping and humorous way. Nakagami, the head of the Kanto Joseikai, is ordered to acquire the rights to work to level the reclaimed land and prevent the Doshikai from expanding from Kansai into Tokyo, but the interference of the Koda-gumi, associated with the Kansai Doshikai, intensifies. Nakagami's younger brother Hayami, unhappy that the situation is moving slowly, tries to blackmail the mayor into moving forward, but... A true Toei gangster film with an all-star cast including Koji Tsuruta and Ken Takakura!

Ishihama is planning a casino robbery with his wife and mother-in-law. They meet a man named Tsuneda who is planning the same robbery and agree to work together.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Okawa Hashizo is 'Red Peony' Hanji who is thrown into a prison cell where he gets involved in a plot to steal government gold from the Shogun's vault. A tough fighter, he has to show his ability in order to keep from getting himself killed by the prisoners, too. Co-starring some of the biggest name in movies at the time, including Kataoka Chiezo and Tanba Tetsuro this film is loaded with surprises. From the opening moments when prisoners carry out their own form of justice, killing a crooked ex-constable, it is clear that this is the work of a visionary filmmaker.

Five years after the end of the Second World War, Reikichi, a repatriated veteran, translates love letters for Japanese women to American GIs, while searching for his lost love, Michiko.

A Ronin with a death wish reluctantly joins the Clan of the Forgotten Eight, a nasty crew of ronin who are wrapped up in a clan war over local prostitution.

A few days in the life of a quiet geisha, single mother of a smart young boy, in the lively Tokyo quarter of Ginza. A woman devoted to others' needs, she'll end by taking part herself in one of the many disguises of Ginza.

A university professor and his wife have two sons with infantile paralysis. Through trial and error, they struggle to open a school for disabled children at their own expense. Based on a true story, it features natural child performances under Hiroshi Shimizu’s skillful direction.

A Japanese woman is raped by her boyfriend day in day out.

Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting both the male yakuzas and a gang of female thieves.

Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.