Boy, Girl And the Devil

A sweeping saga spanning Egyptian history from the era of King Farouk to the early 21st century, Al Helmeya Nights centres on the bitter rivalry between the Al-Badri and Ghanem families in Cairo's Helmeya neighbourhood. Driven by revenge, ambition, and shifting power, the series — written by Osama Anwar Okasha with over 300 actors across six seasons — is widely considered one of the greatest achievements in Arab television drama.

A young man travels to Egypt and becomes embroiled in an independence movement by chance. Produced entirely on location overseas, which was groundbreaking at the time.

When her stepfather tries to rape her, Amal kills him and flees. She finds refuge in the house of the fine artist Ahmed Khaled who falls for her, but his protégé, the sculptor Sherif, also falls for her and competes with Ahmed to win her favor.

Three women each have their own ambitions and aspirations. The first dreams of fame and fortune and meets a rich, married man she attempts to court. The second is a secretary with designs on her boss, even though he too is married. Having learned from her friends' experiences, the third takes an altogether different path.

Saadawi, Fattouh and Azab, prisoners in Abu Zaabal prison after serving their sentence, decide to repent of a life of crime, and after they get out of prison, they find themselves in a confrontation with teacher Abdul Razek, who refuses to restore the rights to Azab.

Rebel Ibrahim Hamdy assassinates a pro-colonial Prime Minister but is arrested and hides with a fellow university student, who initially refuses but eventually accepts him. Abdul Hamid Khatib meets Samia and her cousin, and Ibrahim uses the situation to hasten Samia’s marriage, which she rejects. Nawal, the youngest daughter, becomes the liaison between Ibrahim and his colleagues, helping him escape. Abdul Hamid tries to inform the political police of Ibrahim’s location, but Samia stops him. The head of the political police suspects them and punishes them to find Ibrahim. Ibrahim refuses to leave the country, returning to fight colonialism and participating in an operation.

Part of a trilogy by Salah Abu Seif about women’s empowerment. The film takes place in late 1940s / early 1950s urban Egypt, and tells the story of a young woman’s search for personal freedom and a fulfilling identity as a young modern Egyptian.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Monier takes advantage of Zaghloul's naivety to take advantage of his family's financial resources to fund his gambling addiction. But he takes it one step further when he throws Zaghloul into the Nile and pretends that he couldn't save him.

A group of stage actors who hate Ahmed Aluwi, the rich young man, starts attacking him in the magazines; when Ahemd knows about that, he decides to check the situation himself and he falls in love with one the actress over there; he pretends to be a poor simple actor, just to be near her; she starts responding to him without knowing his true identity.

Zohra's beauty attracts an unimaginably large number of suitors. Her kindheartedness and love for all those who approach her lead her into trouble when she finds herself married to five men at the same time.

After six months at sea, three navy officers return home for a short 24-hour leave, hoping for warmth and affection from their wives. Instead, they're met with cold shoulders and mistrust.

A remake of Henry Barakat’s "Have Mercy" 1959.

The events revolve around the athletic young man Kamal who loves Sanaa and wants to marry her, but her father refuses because he roots for Kamal's rival team. He tries to marry her to Rafik, who secretly works in smuggling. Kamal tries to reveal his truth to marry Sanaa.

In Roman-dominated Egypt, the corrupt administration of a governor named Petronius has sparked a revolt headed by El Kabir, a young man who learns that he's actually the son of Cleopatra and Julius Caesar. When Petronius' daughter, Livia, newly-arrived from Rome, falls into his hands, El Kabir uses this opportunity to win her over to his side before releasing her to her father.

When her mother dies, the responsibility of keeping the family together falls on Sawsan, who tries to reunite her family after her father neglects his children in favor of chasing after the widowed Fatma, and her brother sets his eyes on a married woman.