Um Brasileiro Chamado Rosaflor

A soap opera idol, lonely despite his fame and wealth, seeks a woman for companionship. He becomes interested in Míriam, a mysterious character who causes him countless setbacks. He's inclined to marry Carolina, his 19-year-old neighbor, who spends her time playing waltzes on the piano. However, all of Míriam's adventures will pale in comparison to the discoveries he will make in intimacy with Carolina, the sweet woman he loves.

After escaping from a penitentiary, six women begin a trail of passion and death in the search for survival.

This story begins with Marcelo's funeral. His family, his fiancée Lúcia and three suspicious men are the only people accompanying the coffin. By night, at home, Rosa, Ricardo and Lúcia notice something strange: Marcelo's room has been completely ransacked. Suddenly, the phone rings. Rosa answers and hears the voice of her son who had just died. The shock is too strong for the poor lady, who dies of a syncope. To understand these sinister events, we have to go back three days...

Betão is a countryman who works in a circus, selling peanuts. His daughter also works there, and becomes the circus's greatest attraction. But she decides to marry a rich man, and another circus comes to town, putting his employment in danger.

Rhonda Fleming shines as Pamela, an American film star who falls in love with coffee grower Claudio (Rossano Brazzi) while in Brazil. When the two are hastily married, Pamela finds herself entwined in a clash of cultures in this rarely seen romantic comedy.

Five criminals captured by Detective Lincoln Monteiro escape from the penitentiary, seeking revenge on enemies and traitors. Niquelzinho and Paulo Cabeleira kill bookmakers, while Maurilão, Chico Preto, and Mico Sujo commit several robberies. Lincoln, always refusing to adopt his colleague Morelli's doctrine of violence, receives other police missions: to solve the murder of two tourists, the marijuana spill at a school, and the capture of criminal Carlinhos Capeta.

A succession of modern songs, from Iê-iê-iê to Bossa Nova, mix with the record of the tastes and customs of the youth of the time.