Jesús López

High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

In the Argentinian countryside, a child's special gift gives her opportunistic guardians the idea of offering consultations with her as an animal medium in order to earn a living.

After a party, Agos and Ren find themselves in a strange place where they remember to have been before… A failed world bursting with dependences and doors leading to the same yet different place.

Cecilia is too afraid one night to let her housekeeper's son into the house. The next day his dead body is found.

Mother and daughter Silvia et Andrea are also ufologists. They run a UFO research group together and stand guard, chasing the lights that appear mysteriously over the Paraná river. Joyously adopting the genre of (science-)fiction, Maximiliano Schonfeld uses humour and affection to paint the poetic portrait of a community.

Five challenging young men gather in a closed courtyard. The chords of a rock band emerge from the silence that the siesta emanates. Immutable, they play as time unfolds and loses the stability of the present.

Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.

Three stories inspired by stories by Juan José Saer. A police officer returns to his hometown to investigate a murder; a teacher complains about a horse that has been abandoned. One day, a man is found dead, and there is no trace of the horse, which is the only witness to the murder.

A German family unravels as they are forced to abandon their farm in Entre Ríos, Argentina.

Two cousins ​​meet in a German village in the province of Entre Ríos. Roberto lives in Buenos Aires, Sergio in Paraná. Both are around forty years old. They have met there to decide what to do with an old, abandoned warehouse belonging to their families. An unexpected discovery related to the Battle of Pavón and the cousins' encounter with a memorable eighty-year-old woman will reveal something of the country's past, but above all, a possibility for the future.

Along distant and desolate streams, five men start looking for the fossil of the largest feline that has ever inhabited these lands – the saber-toothed tiger –, holding onto the hope of saving themselves through the sale of the bones of the tiger.

How do the interhouse trips sound?

An incomplete travel (and sound) chronicle; a place occupied by maps and globes; a recollection of memories instead of the repetition of an imprecise image. In the spaces that remain between these surfaces, Recording Rituals intends to meditate on the relationship between landscape and archive in the construction of imaginary communities and material memory.

Three farmers work on a farm in Entre Ríos, a sparsely populated lowland region of Argentina traversed by rivers. Their crops are affected by ‘black frost’ which threatens to destroy their harvest. One day, a young woman appears at their door; blithely and self-assuredly she begins to influence their familiar routines. The bewildered farmers yield to Alejandra’s interventions: she dons Heribertos’ dead wife’s clothes, accompanies Benigno to a greyhound race and wins young Lucas’ friendship. Shortly afterwards, the frost disappears.

Every year, for one week, more than 150 trombonists come from different countries to meet in Santa Fe, a small city on the banks of the Paraná River, where they participate in collective courses and individual classes, and perform and listen to music.

Short film by Iván Fund