Onde a fé tem nos levado

In a dystopian future, Joana and Valenza take a journey adrift through a northeastern city. Through electronic music and a noisy track, the characters walking the streets perform what they feel while living in this society trying to understand it. Abjetas 288 deals with territorialities, identities and meritocracy, all with an ironic tone and using allegorical elements that dialogue with the popular history of Aracaju.

Renan and Alana rehearse for their Quadrilhas Juninas, a dance that portrays a meeting between youth, old age, and the popular cultures of northeastern Brazil.