Jay Vejay

Iruvar Ullam

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Swati

Sharda, a nurse and single mother, raises her daughter Swati as an independent, articulate young woman. Swati is a strong advocate of women's rights in a society where there is significant male domination. Swati deals with eve teasers firmly, sometimes with considerable force. When a married friend of hers gets raped in the presence of her husband, she acts as a counsellor and helps them adjust to the reality of a society that blames the victim and not the rapists. Swati takes on a huge transformation when she meets a political activist and falls in love with him. She embarks on a project of matchmaking for her mother and engineers a wedding with a widower who has a grown-up daughter.

Shaadi Ke Baad

Widower Bhagat Ram lives a wealthy lifestyle in a small village in India, along with his son, Shyam, who is an Advocate in Bombay, and makes a living as a Hindu Priest. He receives a marriage proposal from Choudhury Bishan Swaroop Singh for Shyam, the girl in question is Bishan's son-in-law, Raju's sister, Shobha. Hoping to get a dowry of Fifty thousand Rupees, he agrees and the marriage takes place. After the ceremony he is handed a Promissory Note, and angered he and Shyam return home, leaving a devastated Shobha and the Singh family to deal with this crisis.

Bidaai

After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

Pelli Chesi Choodu

A satirical comedy that deals with the negative effects of the Indian dowry system, through the marital life of Venkata Ramana and Ammadu.The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar.

Anger Tales

An anthology bringing alive the various hues of anger, telling the stories of four ordinary people belonging to different socio-economic backgrounds.

Bhakta Prahlada

Bhakta Prahlada is the first full length Telugu talkie film based on the story of Narasimha and Prahlada in Hindu epics. The film is now lost; surviving artefacts include a few stills, advertisements, and reviews.

Ek Duuje Ke Liye

A love story between a Tamil man a North Indian woman, who are neighbours in Goa. They come from totally different backgrounds and can hardly speak the other's language. Their parents despise each other and they have regular skirmishes. When they admit their love, there is chaos in their homes, and their parents reject the idea.

Raja Paarvai

Ragu is a blind violinist who leads an independent life. When Nancy learns about him, she decides to cover his inspiring story. Soon, love blossoms between the two, egged on by her grandfather.

Kalidas

A Princess is tricked into marrying a naive and illiterate youth.

Jeene Ki Raah

Desperate to earn money, Mohan, a married man, tells a lie in order to secure a job at Mr Rai's firm. However, his life complicates after he attracts the attention of Radha.

Yeh Kaisa Insaf?

A woman's marriage is filled with upheaval and conflict, but she makes many compromises for the sake of her struggling family. How will she react to her husband's ultimatum, that she must choose him and his family over her own, otherwise he would take their daughter and leave forever?

Manohara

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

Appu Chesi Pappu Koodu

Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.

Daadi Maa

Parvati seeks to heal the breach between her husband and his mother

Mangayar Thilakam

The story starts with the special birthday celebration of a girl. Vasudevan (Sivaji Ganesan) narrates the story which goes back 14 years behind. Karunakaran (S. V. Subbaiah) and Vasudevan (Master Baji) are brothers whose parents had died. They are very much loving and close to each other but Vasudevan longs for mother's love.