L. V. Prasad

Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

A Princess is tricked into marrying a naive and illiterate youth.

A love story between a Tamil man a North Indian woman, who are neighbours in Goa. They come from totally different backgrounds and can hardly speak the other's language. Their parents despise each other and they have regular skirmishes. When they admit their love, there is chaos in their homes, and their parents reject the idea.

After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

Parvati seeks to heal the breach between her husband and his mother

Decades ago, three kingdoms hid their wealth in a secret location and left clues in three necklaces. In the search for this treasure, two long-lost brothers unknowingly come together.

Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.

Widower Bhagat Ram lives a wealthy lifestyle in a small village in India, along with his son, Shyam, who is an Advocate in Bombay, and makes a living as a Hindu Priest. He receives a marriage proposal from Choudhury Bishan Swaroop Singh for Shyam, the girl in question is Bishan's son-in-law, Raju's sister, Shobha. Hoping to get a dowry of Fifty thousand Rupees, he agrees and the marriage takes place. After the ceremony he is handed a Promissory Note, and angered he and Shyam return home, leaving a devastated Shobha and the Singh family to deal with this crisis.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

A woman's marriage is filled with upheaval and conflict, but she makes many compromises for the sake of her struggling family. How will she react to her husband's ultimatum, that she must choose him and his family over her own, otherwise he would take their daughter and leave forever?

Thakur Suraj Singh lives a wealthy lifestyle with his wife; three sons - Kishore, his wife Laxmi & two children Pappu and Laali; Vijaykamal, & Mohan; and an unmarried daughter, Radha. Kishore looks after the family business, while Vijaykamal is a renowned poet, and Mohan is studying law in the city. Vijaykamal is in love with lovely Sapna, but she is forced to marry Bihari, and kills herself on the night of the marriage. Vijaykamal witnesses her death and loses his mind. The family decide to keep him under lock and key on the terrace of their house. Unable to admit Vijaykamal to a mental asylum, Suraj brings home a young courtesan, Chand, who he hopes will cure Vijaykamal, and she does succeed considerably, but is traumatized, sexually assaulted by Vijaykamal, and abused by the rest of the family.

Sharda, a nurse and single mother, raises her daughter Swati as an independent, articulate young woman. Swati is a strong advocate of women's rights in a society where there is significant male domination. Swati deals with eve teasers firmly, sometimes with considerable force. When a married friend of hers gets raped in the presence of her husband, she acts as a counsellor and helps them adjust to the reality of a society that blames the victim and not the rapists. Swati takes on a huge transformation when she meets a political activist and falls in love with him. She embarks on a project of matchmaking for her mother and engineers a wedding with a widower who has a grown-up daughter.

Ragu is a blind violinist who leads an independent life. When Nancy learns about him, she decides to cover his inspiring story. Soon, love blossoms between the two, egged on by her grandfather.

Desperate to earn money, Mohan, a married man, tells a lie in order to secure a job at Mr Rai's firm. However, his life complicates after he attracts the attention of Radha.

Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.

Rao and Mary, unemployed college graduates from Madras, act as if they are a married couple to get jobs as schoolteachers in the small village of Appapuram. Their story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah, a friend and ex-beggar, in fooling the family they work for.

Madhu and Sobha love each other. But they have differences in their political views. So they need to overcome several hurdles to get united again.

Krishna's family deals with sons' unemployment, daughter's marriage prospects. A hidden secret emerges, challenging their unity. They navigate this crisis while reflecting societal issues.

Janaki, an educated and progressive woman, often challenges the orthodox beliefs of Somalingam, a conservative bachelor who dislikes modern women. When her stepmother arranges her marriage to her cousin Ramana Rao, who abandons his lover Lalitha for the alliance, Janaki runs away and seeks refuge in Somalingam’s quarters. Rumors spread about their relationship, leading to both being thrown out. Disheartened, Somalingam joins an ashram, while Janaki faces hostility from locals and eventually ends up there after being assaulted. As Somalingam nurses her back to health, the two gradually develop feelings for each other. Meanwhile, Ramana Rao arrives with the police and takes Janaki away. In the end, misunderstandings are resolved, Somalingam abandons his rigid views, and Janaki’s father approves their union. The story concludes happily with the marriage of Janaki and Somalingam.

Satyam, a moneylender's son, is supposed to marry his neighbour's daughter Subbulu. However, complications arise when Satyam lands up in jail.

A satirical comedy that deals with the negative effects of the Indian dowry system, through the marital life of Venkata Ramana and Ammadu.The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar.

Bhakta Prahlada is the first full length Telugu talkie film based on the story of Narasimha and Prahlada in Hindu epics. The film is now lost; surviving artefacts include a few stills, advertisements, and reviews.

An anthology bringing alive the various hues of anger, telling the stories of four ordinary people belonging to different socio-economic backgrounds.