Big Beat

This sharp Czech soda first appeared on Czech Television screens on June 4, 1993, and for four years it fundamentally changed the concept of Czech television satire and pushed the boundaries of viewer tolerance into completely unprecedented, uncomfortable zones. The feature film summarized the most vivid episodes of the show and still feels like an uncompromising, comprehensive punch to the solar plexus.

Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.

In 1943, a childless couple, the Čížeks, decide to hide a Jewish refugee, David Wiener, the son of Čížek's former employer, in the secret pantry of their apartment. Čížek is aware of the danger into which he has brought his household and his neighbours, but he takes helping his fellow man in need for granted. But at the same time, as a largely unheroic hero, he is dying of fear. His personal situation is greatly complicated by the approaching end of the war, when he faces danger from both the Germans and his "honest" fellow Czechs...

At a Czech sanatorium for children with respiratory issues, teens form friendships and experience first love amidst coming-of-age struggles.

The principal of an elementary school calls a special parents meeting after it’s alleged that the seemingly empathetic and kindly-looking teacher Mrs. Drazděchová uses her students to manipulate their parents.

Milan and Goran are two criminals who smuggle illegal immigrants. One night after they complete a smuggle, they discover that one of the immigrants has left a baby behind. Milan and Goran decide to sell the baby to Lubos and Eman, who are responsible for running an illegal baby adoption center. Lubos and Eman make attempts to sell the baby to Miluska and Frantisek, a barren couple.

Artist Bedřich Mára (Bolek Polivka) is unable to find much secure work due to his public antagonism toward the ruling Communist Party. He has a wife and two children. Life begins to change when art historian Alois Fábera (Jiři Pecha) begins working on a piece about Bedřich, leading to a job offer from a Party official. Things are looking up, until the wrong people hear portions of the historian's writing.

A primary school teacher with an inferiority complex about her weight, a bank clerk who suddenly develops a strange rash around her eyes, an aging owner of a 24-hour deli in an unhappy marriage, a lonely man living in the woods and strangers' cottages. They can continue to survive with their problems, hide them, and not deal with them. Or they can fight it and, at the cost of scars and wounds, improve their lives.

Marcela can't bear Jarda any longer, so she threatens divorce and takes the kids to her mom's, whose husband is a creep. While Marcela is there, Jarda is jailed, because he is part of a gang steeling cars and they get caught in the act. Benes, the urbane man whose car got stolen by Jarda and his gang, befriends Marcela. Soon she feels drawn to Benes and all of a sudden she must make up her mind: Jarda is still sexually attractive to her, but Benes offers security, and her own body and mind may not pull at the same strand.

The fall from the top to the absolute bottom can be very fast. A renowned physician, also a beloved father and husband, is accused of a serious felony. Innocence is hard to prove, especially when in desperation to try to save oneself, we sacrifice the secrets that should have remained hidden forever.

A comedy on a typical children summer camp from the socialist time, telling the truth about it: combination of strange cynical leaders, absent-minded young assistants with complexes, teenage girls desperately in love with them etc. What a pioneer camp pretended to be and what it really was about. All this produces many embarrassing situations.

In 1940s Prague, a former Nazi prisoner returns to run his posh hair salon and struggles with family, the rise of communism and his past.

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?