Martin Dejdar

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

Gregorius, the Outcast. As an infant, he was abandoned by his own parents, conceived through the sinful love of a brother and sister. As a young man, misunderstood in a humble fishing village, he imagined the lake as an ocean, a small boat as a throne, and a spear as a royal sceptre. Yet deep within, he knew he was destined for something greater. Driven by a desire to become a knight and make the world a better place, Gregorius embarks on a journey that reveals the unfathomable ways of God. For within every sinner, there may also dwell a saint. Whether you are an outcast, a knight, a king, a hedgehog, or a pope, beneath the heavens there is ultimately only one true path: the path of a pure heart. Gregorius, the Chosen One. Inspired by Thomas Mann's novel, Tomasz Mielnik's poetic absurd comedy transports audiences to a long-lost age, when the star-filled sky served as a map of endless, radiant, and irresistible journeys.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

Teacher Majer is lured by his friend to an old farmhouse, where a hitman hired by the last surviving member of the Dostál family is waiting for him. Meanwhile, everyone is waiting for Majer at the newly opened school, which he is supposed to manage. All of his former students wait in vain for Majer; he never arrives. No one understands what has happened, and above all, where the man is on whom they are now completely dependent, each for a different reason. They begin to fear that something has happened to Majer, and so the four “bravest” among them decide to find him.

The Manor, a dark funny version of Akira Kurosawa's " Rashomon". During a snowstorm, Patrick Roarke, a manservant, is found dead at the bottom of the main staircase in a gothic English mansion. Inspector Hatcher is sent to investigate the death. When he arrives, he finds a household consisting of five women. When questioned by the inspector, each of the women tells a different story, all of which are illustrated by flashback scenes showing the events as related by that particular person. Everybody seems to protect somebody and the inspector becomes increasingly intoxicated as he tries to untangle the web of lies in his endeavour to find out the truth.

A film full of songs and melodies ranging from folk roots to contemporary rock, set in the Czechoslovak-Polish border region, in the rugged but charming region of Těšín Silesia, where a man's word still carries weight, women's charm has been irresistible since time immemorial, and music has its irreplaceable place. In short, it is a magical region for seemingly ordinary stories that are nevertheless unique and interwoven with deep humanity and happy endings...

The young Zuzanka, Honzik and Goat look for the children's parents, whom the devil has apparently kidnapped to punish them for producing devilishly good goat cheese. However, the children find their parents not in hell, but in the castle, where they must make cheese for Kobyl, the king's advisor. Kobyl gained the king's good graces thanks to the cheese. After a dangerous and corny adventure, Kobyl ends up in hell and the family members are reunited.