Pyar Kiye Jaa

Thankamma is heartbroken when her lover Shivaraman abandons her for his duties as a sailor. She marries another man and tries to settle down, but she learns that she is expecting Shivraman's child.

Raja is a petty thief living around the streets of Bombay, indulging in pickpocketing. In the same city lives Rani who makes a living through dancing. The two meet and fall in love. Raghu, the owner of a cycle company, lives luxuriously with his wife Sarala and children in Madras. Madhu, his manager, has been misappropriating the company funds with the help of his lover Manorama who Raghu is later attracted to. The company is soon closed due to losses, putting Sarala and her children in poverty.

Yaaro Ezhuthiya Kavithai (English : Poem that was written by someone) is a 1986 Tamil-language Indian feature film directed by C. V. Sridhar, starring Sivakumar, Jayashree in lead roles.

Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Krishna Kumari), supports the family by stitching clothes.Bhaskar rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for her the sake of her sister and convinces Bhaskar to marry Geeta. Bhaskar initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Bhaskar relents and Geeta and he have a son. Vasanti joins them and Geeta suspects that there is something on between Bhaskar and Vasanti and makes Vasanti leave the house.

Devi and Anita are best friends who once even help nab a killer. Anita loves Anand but he marries Devi. Their lives are disrupted when the killer breaks loose and seeks revenge from both the women.

Amara Deepam is a Tamil film is directed by T. Prakash Rao released in 1956. A educated unemployed person Ashok (Sivaji Ganesan) falls in love with athe daughter Aruna (Savitri) of an wealthy Industrialist.Aruna is taken hostage by her husband to be Sukumar (M.N. Nambiar), and while Ashok trails them to save Aruna, Ashok loses his memory in an accident. Ashok Meets Roopa (Padmini) and they begin to like each other. Sometime later Aruna comes back and as Ashok fails to recognize Aruna things look complicated.The rest of the film deals with how Ashok struggles with his memory and how both Aruna and Roopa try to win him over. The Udhavi Thayaripalar(Co-Producer)-- L.S.Mani

In the middle of the 80s, in Madras. While her car, (one Volkswagen Beetle, typify like Walt Disney's "Herbie") breaks down (frequently), Mâlu (Jayashree), a beautiful young graduate, very independent, stemming from the Tamil bourgeoisie, attends, dumbfounded enough, not far from it, in the terrible correction that Raghunath (alias Raghu) (Mogan) to a pickpocket administers. The young man who went to an interview, misses his bus. Having got acquainted with Mâlu and having repaired his vehicle, this one leads him to its meeting. She informs him on the spot, that post, is already taken, what puts Raghu, beside himself. During his interview, he lets burst his anger, he becomes enraged in the face of his future employers, among which one, Rajasekhar (A. R. S.), who is other than the father of Mâlu, who finally, appreciates the frankness of Raghu and commits it on fields.

Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.

Together, Gopi and his brother are a power to reckon with. But Dorai, a jealous man, tries to turn them against each other and create the possibility of sibling rivalry.

Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.

Murli (Rajnikanth) and Prabhu (Kamal) are owner and manager respectively, of an advertising agency in Madras. Prabhu has been raised by Murli's family, and feels greatly indebted to them. Prabhu is in love with Padma (Sripriya), but a misunderstanding leads them apart. In the meantime, Murli meets and falls in love with Padma.

Vayasu Pilichindi (lit. Youth is Calling) is a 1978 Telugu-language film directed by C. V. Sridhar. It is a remake of his own Tamil film Ilamai Oonjal Aadukirathu (1978). Sridhar remade the film in Hindi as Dil-e-Nadaan (1982), starring Rajesh Khanna, Shatrughan Sinha, Smita Patil, and Jayapradha

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.

A simple man is caught in a web of deceit. He is blackmailed into participating in his bank’s robbery.