Sans mentir

A blonde who prefers homos, two homos who love each other, a homo who would like to be loved, and a straight guy who prefers the blonde ... who prefers homos! Through a modern marivaudage, the authors highlight the upheavals of sexual identity and couple relationships. Because in the end, there is no question here of being straight or being gay, but of loving and being loved! Misunderstandings, ambiguous reports, revelations and twists follow one another in this very current comedy of manners with a frantic pace!

"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "

It starts in one room: a young man in pajamas lies down and sleeps. He agitates, turns, returns. He is recovering, sits on his bed and a cloud of smoke is coming from his skull, he loses an arm, a leg. He enters a fantasy world where all objects come to life. The swallowed pillow passes his door, a reflection of the mirror emancipates, the portrait of the table rebels and sings his dismay. Dishes and utensils are transformed into a fabulous bestiary where dragon and rhinos are fighting. Gags in cascade, anachronistic nose-feet in acrobatics, juggling on the trapeze, dancing lyric songs, James Thiérrée puts the reality upside down and takes us into a surreal and dreamlike symphony played by interpreters to staggering energy.

A staging of Jean-Michel Ribes' play "Musée haut, musée bas" by himself.