Delta: un treno nel cuore del Sud

Some persons bring chickens and fishes as presents to some actors who are playing, while the Warrior tries the mirror's suicide, but fails in seeing the Death. Outside, chewing-gums are distributed away and the Spring passes by, turning into a little girl. –G. L.

Experimental short by Anna Lajolo and Guido Lombardi.

Two segments. The first one arranges six stories from Cesare Pavese’s «Dialoghi con Leucò», taken from classical mythology. The second segment is taken from Pavese’s novel «La luna e i falò»: after World War II the emigrant «The Bastard» comes back to his village in the Langhe (northern Italy) to find out that everyone he knew has died, and that the war has deeply changed relationships between people.

With rapid editing that alternates a wide range of sources through an extensive variety of shooting and editing techniques, A Corpo is a drift through the consumer imagery of the day, in which the body of the single individual corresponds to political struggle, militancy and anti-imperialist engagement against the war in Vietnam. —Tate Modern

Video images shot on the ferry with which filmmakers Anna Lajolo and Guido Lombardi travelled to the island of Tristan da Cuhna, the subject of a documentary shot in 1992 for the Italian public television channel RAI.

It is a film about real people who have had and continue to have adversarial relationships with society. These individuals recount dramatic, traumatic personal experiences of flight, emigration, and segregation.

The struggle for housing in Rome, in the area of Magliana. Self-organization is opposed to the mediation of political parties, especially the Communist Party, and emerges as the only way for the emancipation and re-appropriation by the exploited.

Collective manifesto by the members of C.C.I. It is a collective film, the result of an operation devoid of any aesthetic purpose: to verify the existence of any harmony between a fairly large group (twelve people) of members of the independent Cooperative. Someone, who had the idea, turned 60 meters of Ektachrome according to the moods –or discontent – of the moment and gave them to others to see. The others reacted, each with their own piece. It was then thought to call the film “circular letter”. It was not so simple and so quick: the operation, which started in June of ’68, ended in March of ’69.

The documentary deals with the struggle s to obtain decent housing in a metropolis such the capital city of Italy in which the right for all to an acceptable dwelling is met with by all kids of serius obstacles-the chaotic increase of urbanization, the building speculation, the degradayion of suburbs, the magnitudine of slums with their unfortunatle inhabitants whose living condition have been dramatic for years. Starting from the Roman situation, the documentary faces the general housing problem in the country as whole and therefore the problrm of the struggles which people support - also through new structures such as People's Councils and Commitees - on the entire national territory in oder to attain one the primary goals of a decent society: a home whorty of its name for all its citizens.

The struggles of the workers at Montedison in Porto Marghera, following an accident that resulted in the deaths of three people.

In a construction site near Rome, a Calabrian construction worker dies. The emigrant's hard life is reconstructed through the words of his fellow workers and family, interviewd between Rome and Calabria. One of the first experiments of collective directing that will later turn into the group Videobase.

A television experiment, filmed with the first portable video recorders, in the Ligurian community of Carloforte, on the island of San Pietro: for two months, the small crew lived in close contact with the people and their daily lives. They created a collective portrait, featuring former ore carriers, seafarers, salt workers, fishermen, tuna fishermen, industrial workers in the Sulcis area, young men and women from the nautical and teaching sectors, and the women, "white widows," wives of sailors, entrusted with raising their children. Three years later, in light of the changes, that first portrait—comprising life, work, feelings, and hopes, past and present—was shown to the islanders in the streets, squares, workplaces, and schools. Reactions and comments were filmed and incorporated into the final edit, which showcases the process and working method. Video is used as a means of recognition, identity, participation, and horizontal dialogue, a pioneering "street television."

Experimental short.

Documentary about life in Italian working class neighborhoods.

Documentary on the fight for housing in the 70s in Magliana, a popular neighborhood of Rome.

Documentary shot for RAI Italian television on Tristan da Cunha, an active volcanic island with rare wildlife and home to British Citizens living in the world's most isolated settlement.