Bed and Sofa

The catalyst for this unusual documentary, which took the Silver Plaque at the 1980 Chicago Film Festival, was the attempt by Toronto striptease artists to form a union. The film is structured around the strippers themselves, as they speak directly to the camera about their attitude toward striptease, as work.

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

Tripper is the head counselor at a budget summer camp called Camp Northstar. In truth, he's young at heart and only marginally more mature than the campers themselves. Tripper befriends Rudy, a loner camper who has trouble fitting in. As Tripper inspires his young charges to defeat rival Camp Mohawk in the annual Olympiad competition, Rudy plays matchmaker between Tripper and Roxanne, a female counselor at Northstar.

Vicky, an out-of-work actress, struggling waitress and lesbian has her whole life thrown into turmoil when her father comes from Germany to visit. The main problem is that Vicky has told him she is a successful actress and happily married. She enlists the help of a gay friend to play her husband. Using a large range of characters—gay, lesbian, straight, transsexuals—the film creates a funny and touching view of family dynamics and sexuality.

A young man travels from the Northern Atacama Desert to the southern Patagonian edge of Chile on a cathartic journey of the spirit and to fulfill the wish of his mysteriously deceased lover.

This experiment in point of view, narrative structure, and time attempts to reproduce cinematically Gertude Stein's notion of a "continuous present." In four rhyming shots/scenes, it suggests the development of a relationship over many years. Based on biographical details from the lives of Gertrude Stein and Alice B. Toklas, with improvised performances by Jackie Burroughs and Anne Anglin.