Natir Puja

Madhuri cannot bear a child yet her husband Shatadal is fond of children. They decide to part ways but years later when they meet in a railway station they realize their fondness for each other hasn't died.

A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).

A film based on the novella "Nastanirh" by Rabindranath Tagore written in 1901.

A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Indranath is a leader of a group which is fighting for Indian independence. Ela is the teacher of the group. Ela is caught in a dilemma between her love for Atindra and her commitment towards her country.

Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.

Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.

A tranquil vacation of four friends at a hillside village takes a sinister turn, when they unwittingly incur the wrath of an ancient deity, Devi Parnashavari.

A middle-class family shelters a freedom fighter in war-torn Dhaka.

A young director listens to a hilariously scary story narrated by a stranger, where a group of ghosts try to save the only place they can haunt in peace.

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

A young doctor is introduced to a girl by his cousin, but he rejects her as a potential bride and she disappears one day, leaving only a garland of dried flowers behind.

When a local mining company dares to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective.

This is a story of four friends & school buddies. Out of them, only Ashim is an earning person, he is a doctor. Earlier, they started a Bangla Band, where Hari was the lead singer, but they were heavily thrashed by the public in a stage show in North Bengal. They decided not to sing any more. Then they started a traveling agency. On their first trip, they start the journey with only 9 passengers and a girl who later joins them. The film deals with their journey via Kalimpong. The ten passengers are of ten different types and also the four tour operators are of four different natures. As the journey progresses, their characters were revealed one by one.