Rabindranath Tagore

A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

An American businessman came to Bangladesh for business. But things got different when he has to take responsibility of a little girl after her father's accidental death.

Atindranath Bannerjee, a retired teacher, faces harassment from his family members and decides to discipline them. Later, he shifts to a slum and starts teaching underprivileged children.

Suhas brings Rakesh to Kolkata Race Course at Hastings, the largest horse race venue in India. The latter knows which horse is going to win. Based on Samaresh Majumdar's first novel.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.