Jūdai no seiten

Saburō Takada transfers from a city to a very small school. The village children suspect that Saburō is actually Matasaburō, the wind sprite.

A twice-remade ironic comedy about a writer's encounter with a female thief.

Tokyo, 1890. Through avarice, a series of misunderstandings, and failures of courage, the engagement of Kan-ichi (a student) and Miya (the daughter of Kan-ichi's debtor) is canceled to enable Miya to marry Tomiyama, a wealthy banker's son. In bitter despair, Kan-ichi breaks with his friends, drops his studies, and declares he has ceased to be human. He apprentices to a money-lender, and he's soon ruthless and wealthy. Several years later, Miya's in misery, her husband mistreats her. She goes to Kan-ichi to beg forgiveness; he pushes her away. He's now pursued by Akagashi, herself a cold-hearted loan shark. Can anything free Kan-ichi's hard heart from the golden demon

Kuramoto, who works for a large trading company, is a skilled employee who is well-liked by the company president. He is engaged to an employee named Nishino Etsuko, but he used her for his own career advancement and kills her so that he can marry the company president's daughter. When Kuramoto returns from his honeymoon with his new wife, Etsuko's brother shows up in search of the whereabouts of his missing sister.

Based on the famous novel by Junichiro Tanizaki, this is a story of the four sisters of the ancient and reputable Makioka family of Osaka.

Tour bus driver Ching Pang Wen (Fang Ying) and tourist/student Annie Yeh (Lily Lo) sing and romance their way through Singapore.

A young scriptwriter with a yakuza upbringing, an iron-fire dancer, a young painter, and a pure-hearted downtown girl fall in love in Asakusa in this entertaining tale of love and action.

Following the tragic death of his father, a young boy's family trains his horse to compete in the local derby.

A classic melodramatic love tragedy addressing social inequality in Taishō-era Japan, The nostalgic scenes of 1920s Tokyo provides a valuable visual experience set against the background of the title song, "Tokyo March." (Sadly, less than a half hour of the footage has been recovered and restored.)

Hibari no komoriuta (ひばりの子守唄, literally "Hibari's Lullaby") is a 1951 black-and-white Japanese film directed by Koji Shima. The movie is based on Das doppelte Lottchen, a novel later adapted as The Parent Trap.

Large star-shaped aliens travel to earth in hopes of warning them about an oncoming catastrophe. To prevent panic about their appearance, one alien takes the form of a popular singer.

At sixteen, due to illness, Tsuruko goes blind, and has no choice but to become a massage therapist. One day, stumbling on a staircase, she meets a businessman and falls in love with him.

A comedy directed by Koji Shima about a men's game. Reckless and exciting, definitely worth watching! Miyoshi Oki was born in Hokkaido and grew up in a dirty carriage that his father owned. His dream was to have a horse with a good coat that costs 10 million yen and he set a goal for it. At the invitation of Otaki-gumi executive Iwasa, he joined Otaki-gumi while the leader Sozaburo was sick. Miyoshi's method is not to deal with the yakuza's morale and slashing, but to handle things mentally....

A heartwarming tale of romance and thrills featuring an aging groom who discovers the potential of an exceptional racehorse hidden within an ordinary bloodline and dedicates his life to that horse, and an up-and-coming jockey, set against the backdrop of a thrilling steeplechase race.