Arogya Niketan

Sadananda, a wanderer, brings about a positive change in the lives of everyone around him when he starts living in a renowned man's unoccupied mansion along with the family of a little girl, Runu.

Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.

In post-partition Bengal, a clash of cultures between neighbors ignites a turbulent yet tender tale of rivalry, love, and unexpected alliances.

Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.

Dugga joins Chiranjib in his liquor business and they end up falling in love with each other. Since he does not want her to be a part of his disturbed life, he decides to mend his ways. In order to protect her modesty, Dugga kills rapist Bhola.

The movie tells the story of Fakkaram, a.k.a. Fakka, and his love, along with his family and his greedy relatives, who are in search of a valuable amount of money left by a millionaire.

A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.

Lamja Parshuram is a 1974 Manipuri film directed by Aribam Syam Sharma and produced by G. Narayan Sharma for N.S. Films. The script of the film was written by Elangbam Dinamani Singh and story by G.C. Tongbra. The movie features Kangabam Tomba in the titular role, and Wahengbam Bedamani as the lead female protagonist. It was released on 24 April 1974 at Pratap Talkies, Paona Bazar. The film ran for more than 100 days and became the first Manipuri hit feature film.

Karna, an unemployed graduate, is always at fault for everything he does. Karna tries to win his father's heart, but circumstances turn against him.

Bengali drama film

Tapan Sinha's debut film is based on a Narayan Ganguly story SAINIK, which figured an elephant in the central character.

In a world of family ties and hidden secrets, one woman's quest for independence collides with dark desires. Love and vengeance intertwine, revealing the true cost of power.

A 1978 Indian Bengali Drama Film directed by Mangal Chakraborty.

Saheb, a jovial, friendly, and kind-hearted boy loved to play soccer. He was very much neglected by his selfish brothers. Only his sister-in-law and his only sister Boolti appreciated and took care of him. Saheb had the potential to become a good goalkeeper, but a lack of support and care from his family became the main obstacle to his growth. Suddenly Boolti's marriage was fixed with a well-educated family. The budget of the event made Saheb's family helpless. At that time, Saheb sold one of his kidneys and spoiled his football career. No one was aware of his decision. On the day of his sister's marriage when everyone was enjoying themselves, Saheb was fighting for his life. Suddenly his sister-in-law came to know everything and became very upset. All his brothers were imposing allegations against him for that unaccounted money, and then his sister-in-law exposed everything and made them quiet. At last, Saheb's incompetent father went to hospital and mourned for his neglected child.

In this poignant tale, brothers Nilambar and Pitambar have contrasting personalities: Nilambar is kind but aimless, while Pitambar is responsible and practical. Nilambar's wife, Virajmohini, struggles as he mortgages their property to support his sister's marriage. When the village Zamindar, Rajendrakumar, becomes infatuated with Viraj, her life takes a tragic turn. Misunderstood by her husband, Viraj leaves home, faces numerous hardships, and eventually reunites with Nilambar in Tarakeswar. In her final moments, she finds peace, resting her head on her husband's lap, ending their story on a tender note.