Laura Paredes

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.

In the conservative northwestern region of Argentina, Julieta finds herself accused of infanticide after a medical emergency. With support from her attorney and women's rights advocates, she fights for justice in a landmark case that could change lives.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

Tangled in a troubled marriage, a frustrated couple finds hope in a watch-based app that rewards good deeds — until unhealthy obsessiveness takes over.

Blondi and Mirko live together, listen to the same music, watch the same films, like to smoke pot and share the same friends. But, even though they seem to be the same age, Blondi is Mirko's mother.

At the request of his daughter, Turbo is reluctantly forced to open his doors for 30 days to his emotionally fragile and eccentric ex-wife, Loba, following a prolonged stay at a mental hospital. As old feelings reemerge, Turbo and Loba find themselves at the center of a perfect storm that could set them on an odyssey of rediscovery… or send them both back to the madhouse.

Claudia is a workaholic event planner. When a colleague asks her to plan her wedding, she starts to notice a lot of issues with the ceremony and changes it's location on the last minute, unfolding on a series of unfortunate events.

A biography of Jorge Luis Borges working from an exhaustive review of the papers he left, the books he read, the places he went to. And with this, an attempt to decipher a very peculiar life: someone who lived like a hidden, underground warrior, whose cause was literature, literature conceived as a kingdom and as a landscape. If Cold War spies fought from their desks or from an uninhabited house to defend their half of the world, Borges strove from a library to elevate and broaden the territories of his own tribe: the people for whom the most important part of the universe is books, plots and words. This film is devoted to that secret pilgrim (to borrow from Le Carré, the king of all spies).

Pin de Fartie unfolds as a playful spin on theatrical adaptation and an experiment in character dynamics. The film charts three relationships defined by Samuel Beckett’s 1957 play Fin de Partie (Endgame): one between a blind man and his daughter; another concerning two actors rehearsing that same text; the third following a man who reads his blind mother Beckett’s play and discovers that it reflects their lives.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

After being in rehab for two years, Cesar now works in a small balloon factory in suburban Buenos Aires. His former father in law will force him to take care of his young estranged son, whose mother died in an accident. But Cesar has plans to give Alfonso up for adoption.

A french engineer travels in a ship that stops in Buenos Aires, where he must deliver a packet to a mysterious man that is to hard to catch. He then must pursuit him in a labyrinthic city.

In 2012, Charly leaves Nicolás minutes before getting married and moves to another country. Heartbroken, he writes to her a letter where predicts an unhappy life of complete solitude. Ten years later, fate brings them together again at the wedding of Rocío, her best friend, and Diego, her brother, where they will face that their love story is not over yet.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

During the military dictatorship of Argentina in 1977, office clerk Francisco Sanctis, his wife and children lead a quiet life in Bueno Aires. But one day an old friend calls him after 20 years, asking him to sign something. When they meet, she explains that she actually wants him to warn two of her friends that are about to be kidnapped by the army, and Francisco must decide if he wants to risk everything for two strangers.

Pedro and Sol have just finished their last year of school and begin their vaca- tions. They dedicate their free time in summer to approach, little by little, tasks that perhaps one day will become their professions. Sol uses her piano lessons to review old musical recordings and prepares an exam for the music conservatory. Meanwhile, Pedro takes an interest in dramaturgy and starts a writing workshop without telling anyone. In these days shared with other young and adult people, Pedro and Sol watch. They are growing up, even without realizing it.

Luisa works temporarily babysitting children in a factory. For an inopportune occasion, they are left with their boyfriend in charge of a boy who accidentally suffers from drug poisoning. Luisa and her boyfriend will be involved.

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

Everyone competes, except Gonzalo.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

Nothing went as planned: what seemed to be an original idea (taking an international fashion event to a small town in the Argentine Pampas) ended up as a mysterious affair, with a mannequin who seems to have vanished, and who insists on leaving small clues scattered across the immense plains. But nothing seems to be too strange for Commissioner Sirota and her particular method which, this time, includes a clairvoyant, a legendary detective arriving from Santa Rosa and some picturesque “peritas” who choose to work at night, swinging to the rhythm of Ska. In the middle, a disturbing question: Is it a police case they are dealing with, or is someone taking them (the police, the whole town, the Italians – all of us, perhaps) for a fool?

After a devastating breakup, Vicky, almost 40, embarks on a quest for new love, unaware it will lead her to a profound—and hilarious—self-discovery.

Segun Roxi is a comedy featuring a mother who divides her world between friends and enemies. Desperately fighting to tackle the pitfalls of motherhood, Roxi faces her challenges with sincerity and humor combined.