All You Need Is Klaus

Wayne Lo is intellectually gifted, did well at school and plays the violin superbly. At Simon's Rock College in Massachusetts he shot dead two men unprovoked, injured many others and is now serving a life sentence. Troller draws a bold portrait that centres around one question: why?

Various Hollywood people talk about love.

The only novel written by Giuseppe Tomasi di Lampedusa, The Leopard (Il Gattopardo, 1958), just like its screen adaptation by Luchino Visconti, is considered a masterpiece. This film tells about the life of Tomasi and his German-Baltic wife Alexandra von Wolff-Stomersee – their unusual love story. The chaos of the Russian Revolution of 1917 and World War II forced Alexandra to leave St. Petersburg and later on – the family's castle in Stāmeriena, Latvia. During the war, in 1943, she fled to her husband in Palermo, where she would live until the day she died.

Documentary filmmaker Troller criss-crosses post-reunified “Transgermania” for a year, probing German identity through festivals (Carnival, Oktoberfest), films, small towns and big cities. He attends a Black–Bavarian wedding at an “animal fair,” chats with chimney sweeps, students, artists and elites (from Grass to Müller), and asks uneasy questions about unity, memory and the future - all from his outsider’s lens.

An intimate quest by a son to understand the identity of his father; a look back at the Berlin of the 30s and a special group of friends who loved life and, in the darkest hours of German history, ultimately chose good over evil.

Love, it is said, always ends fatally - either for love or for the lovers. In his highly acclaimed portrait film, Georg Stefan Troller meets people who have murdered for love - or what they thought was love. Those who strangled their partners in their sleep, attacked them with a knife or shot them, are stunned by their own actions in retrospect. It now seems incomprehensible to them that a brief moment, a moment of being out of their depth, was enough to throw them off course once and for all. With a detective's instinct, Troller delves into the perpetrators' innermost secrets. A movie about the mental abysses that gape in all of us and the longing for love that remains - for life.

Georg Stefan Troller, born in Vienna in 1921, crossed half of Europe as a refugee only to return with the US army in 1945 . As a filmmaker he became a chronicler of his time and with this film he engages in some bold and self-ironic navel gazing.

Every winter for decades, the Northwest Territories, in the Canadian Far North, changes its face. While the landscape is covered with snow and lakes of a thick layer of ice, blocking land transport, ice roads are converted to frozen expanses as far as the eye can see.

Fleeing from the Russian secret police, a young Estonian fencer is forced to return to his homeland, where he becomes a physical education teacher at a local school. The past however catches up and puts him in front of a difficult choice.

1942. The State of Finland has formed an alliance with Nazi Germany. An elderly man single-handedly tries to stop a secret attempt by the Finnish State Police to hand over Jewish refugees directly to the Gestapo.

For the first time in more than 3 decades, this reclusive artist lets a camera into his life in this amazin opportunity to meet the mysterious man behind the guitar. Ina series of candid interviews, Cale describes his childhood and his wild years in psychedelic California. Cale also shares his insights about his influences, songwriting, success, life on the stage and on the road - all interlaced with outstanding live performances, archival footage, interviews with band members and friends, and awe-inspiring images of American landscapes. Eric Clapton appears in some performance footage. While credited with such hits as "After Midnight," "Same Old Blues," and "Cocaine," Tulsa-pioneer J.J. Cale has never been one to accept the limelight. Hiding from the press, Cale emerges here for the first time in three decades for an extensive documentary filled with music and revealing interview material.

A teenage runaway who never went to school, John Lee Hooker had trouble spelling his name, even into his eighties. But, despite these humble beginnings, John Lee Hooker is today considered one of the most influential musicians of the 20th century.

Set in the future on a war-ravaged Earth, four exhausted soldiers man Sentinel - a remote military base in a vast ocean that separates two warring continents. While their tour of duty ended three months ago, the relief crew still hasn't arrived and as the empty weeks turn to months, paranoia descends, testing relationships to breaking point...

As a young Soviet student in 1978, Ieva could not have predicted that a holiday visit to her father, Imants Lesinskis, then working in the Soviet mission at the United Nations in New York City, would irreversibly split her life in two. Entangled in a dark spy game, Ieva is forced to leave her former life behind, never to see her mother or her homeland of Latvia again. Pulling back the curtain on the shady behind-the-scenes world of the Cold War, this film tells a daughter's dramatic story of her double-agent father, exploring their relationship against the backdrop of events which have their roots over four decades ago. In order to find herself and understand the game she was part of, Ieva sets out on a journey to the past, confronting family secrets, lies and betrayal.

Enquiries into the murder of a young woman take the private investigator Peter Keller to the idyllic village of Schwant in Emmental. But, the more entangled Keller gets in the treads of the apparently clearcut case of sex murder, the more obvious the flaws in the village idyll become. Keller's quest turns into a deadly mission.

The psychiatrist Simon embarks with his newly wed Paula on a wedding trip to Marmorera, the home of his ancestors. The body of a young woman is found on the shore of the reservoir. A little later, the same woman - alive but without an identity - was taken to the Psychiatric University Clinic Burgholzli in Zurich, where Simon works. The idea of ​​the film is based on a true story: in 1954 the entire old Marmorera was demolished and flooded to prevent protests against the planned dam above the village. Only the cemetery with the bones of the dead was moved.