Amok!

Various Hollywood people talk about love.

Documentary filmmaker Troller criss-crosses post-reunified “Transgermania” for a year, probing German identity through festivals (Carnival, Oktoberfest), films, small towns and big cities. He attends a Black–Bavarian wedding at an “animal fair,” chats with chimney sweeps, students, artists and elites (from Grass to Müller), and asks uneasy questions about unity, memory and the future - all from his outsider’s lens.

After arriving in 1940 New York, Freddy struggles to find work. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer.

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.

Georg Stefan Troller, born in Vienna in 1921, crossed half of Europe as a refugee only to return with the US army in 1945 . As a filmmaker he became a chronicler of his time and with this film he engages in some bold and self-ironic navel gazing.

Love, it is said, always ends fatally - either for love or for the lovers. In his highly acclaimed portrait film, Georg Stefan Troller meets people who have murdered for love - or what they thought was love. Those who strangled their partners in their sleep, attacked them with a knife or shot them, are stunned by their own actions in retrospect. It now seems incomprehensible to them that a brief moment, a moment of being out of their depth, was enough to throw them off course once and for all. With a detective's instinct, Troller delves into the perpetrators' innermost secrets. A movie about the mental abysses that gape in all of us and the longing for love that remains - for life.

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

A holocaust survivor now living as a respected writer in Manhattan is the only person who can identify a suspected Nazi back in his native Austria. When a beautiful reporter eager for a scoop tries to lure him back, Geburtig must decide whether to confront his past.

Reencounter with a myth. 40 years since Georg Stefan Troller reported from his adopted home in "Pariser Journal," he returns to his old haunts. A journey through time in a city of contradictions that is always reinventing itself.