Eating in the USSR

A documentary study of the circumstances and course of the drama that played out in the second half of the 30s around the project of creating "Soviet Hollywood" in the USSR - the center of the film industry in the image and likeness of the American "dream factory". Dramas in which human characters, ideological conflicts, and the spirit of the era were vividly manifested…

About the mysterious circumstances of the suicide of the famous artist Alexandra Korsakova, the widow of one of the leaders of the Russian avant-garde artist Vladimir Tatlin.

More than 6000 km from the Russian capital. The coast of the Chukchi Sea. The village of Enurmino. Getting here and getting back out is only a miracle. But if you ask questions, where is the real Chukotka after all? – the answer is obvious: here!

The whole world is confident that bears walk the streets in Russia, and the entire population from young to old is drinking vodka from morning to evening. In fairness, we note that Russian people themselves recognize the reputation of inveterate drunkards and are proud of it somewhere. Russian Russian documentarian Alexey Khanyutin made an attempt to analyze the role of vodka in the life of a Russian person.

On a chilly winter morning on December 27, 1922, the steamer "Majestic" departed from the French port of Cherbourg on its way to America. On board was the troupe of the Moscow Art Theatre, led by Konstantin Stanislavsky, who was already a world-renowned theatre director and the creator of the famous system. Our film will tell the story of this historic tour, which marked a significant milestone in the life of this great theatre reformer of the 20th century.

During the years of socialism, Moscow has turned into a kind of museum - a sort of glyptotek (collection of sculptures) of the Soviet period. But city monuments are not just museum exhibits, they "live" among us on the streets and squares, their fates are closely intertwined with the fates of the city and its inhabitants, with the events taking place at their pedestals. What place does the Soviet monumental heritage occupy in our cultural consciousness and in the space of a modern city?