Tarata

Alejo, an archaeologist from Lima, Peru, travels to Newmarket, Canada, where his Peruvian family migrated years ago. It is his first time back in two decades and since the death of his mother.

President Fujimori's government is on its way out, and the citizens of Peru are struggling to get by, often engaging in unscrupulous means to get ahead--or just to make a buck. Rafo is a struggling filmmaker who supports his girlfriend Laura. He encounters a Spanish con artist posing as an executive for a major phone company, the Spaniard draws Rafo into an elaborate scam.

Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.

Maria has just moved into a decaying flat in a poor neighbourhood. She left her family in the countryside because she could no longer stand her father's authority. Pregnant by a man who refuses to see her, Maria gets by as a cleaning-woman. When her father is brought to the city for an operation, her mother moves into her flat.

Four middle class couples ranging from late teens to middle aged. All they can think about is sex but will they make it through the day?

Juan, a young man convicted of terrorism, is given amnesty from a Lima prison; he boards a bus to return home and, in his mind's eye, recalls events in his village near Huaraz when he was 10 or 12. His father is long dead, his mother lives with Fermin, secretly a sympathizer with the Communist guerrillas in the hills. Town leaders are assassinated at night. When Juan discovers Fermin's secret, Juan is spirited away to the guerrillas to learn Marxist slogans and how to fight. When the band decides to attack the town to avenge the death of a comrade, Juan must choose.

In the last days of 2012 everyone is talking about the end of the world. This doesn't seem to affect the routine of Wachi, a grumpy watchman. However the arrival of Tesla, an impulsive fifteen year-old girl, does. Tesla, Wachi, an a lively 80 year old called Trini, spend the last days of 2012 together, sharing a bond despite, their differences.

Rebeca Duarte is a strong woman and resolute bisexual. Drawn to the risk and adrenaline-rush that her job provides, outsiders think Rebeca must have it all together. But Rebeca is still looking for something more. When she receives an unexpected package from an aunt, Rebeca’s neatly wrapped life begins to unravel. The package contains a photo album of her family in Peru, including pictures of her brother, who died before Rebeca could know him. The photos set off memories that cannot be silenced. As she follows the leads, Rebeca learns a truth about herself that shakes her to the core: the brother she was always told about was, in fact, herself. Rebeca learns of her childhood diagnosis as a hermaphrodite and the ensuing surgery that turned her “officially” into a girl. A compelling and skillful telling of a necessary story, BOTH is based on the experiences of the filmmaker as well as those of many other intersex adults.

After her death, a father will do everything he can to bring her daughter back.

Mario is a stockbroker with plenty of money, a brand-new car, and a lovely girlfriend he's about to marry. However, on the eve of his thirtieth birthday, he feels unhappy with his life. He meets Berenice, a free-spirited and impulsive theater director, who will change his life.